 | What Works: Focus on HumanityJean Cheney, Jeff Metcalf and Craig Wirth have spearheaded a college-level humanities program that invites nontraditional low-income people to explore the wealth of the mind. The result? Devoted, engaged students that teachers usually only dream of.
"I'm not really worried about their ability to tell the story," Craig Wirth says. "These students know their stories. Teaching this class is like teaching word processing to someone with a novel in his head."
Wirth smiles when he says this, and looks up to greet Dot Richeda as she walks into the classroom, an Asian woman in her 60s and one of the 18 students enrolled in this class, Humanities in Focus.
Jeff Metcalf, a professor in the English Department at the University of Utah, together with four-time Emmy-winning documentary filmmaker Craig Wirth, teach the class and are just finishing up the first semester. Twice a week, the students come from all around the valley to work together creating powerful, well-told documentaries about issues ranging from crystal meth abuse to karaoke to homelessness. They range in age from 18 to 65 and across six nationalities. Two are former refugees, one a recent escapee of a polygamist clan, another a former female prisoner. All of them live below the federal poverty line, and none of them are paying a dime for this class. These students, now in their second year of these free, college-level courses, are graduates of last year's Venture Course in the Humanities.
To fully explain what is going on here, we have to go back a year, and for the full story, over a decade.
The program was started primarily by Jean Cheney, the assistant director of the Utah Humanities Council (UHC). About nine years ago, Cheney learned of a program called the Clemente Course in New York City, offered in partnership with Bard College. This program had been started a short time before by author and social activist Earl Shorris, who, according to Cheney, was acting on a "growing conviction that {quotes align=right}what poor people lack most is not job training or skills education but the ability-and time-to reflect, to develop independent thought.{/quotes}" The idea resonated with Cheney, and she felt that something like this was needed in Salt Lake.
At that time funding wasn't readily available, so Cheney put the idea on the back burner.
Three years ago, however, an opportunity presented itself.
"I always had the idea that someday I would do this," said Cheney, "and then the funders approached us." The Arts, Humanities and the Environment (AHE) Cultural Initiative had heard about the New York project and together with the Humanities Connection, another philanthropic organization in Utah, they offered Cheney and UHC a three-year grant to make Venture a possibility. Cheney spent a year planning Venture, selecting the faculty to teach the classes and arranging the details, and launched it in September 2005.
The course, now in its second year, is offered through a partnership between the Utah Humanities Council and Westminster College. Transportation (in the form of bus tokens and TRAX passes) is paid for, as is child care and an evening meal. Horizonte donates the classroom space and food. The students commit to a full year of classes, two nights a week: The first semester is Art History and Literature with Writing alternating, the second semester Philosophy and American History, again with Writing alternating. The courses are taught by professors Jennifer Bauman, Jeff Metcalf, Jack Newell, Bridgett Newell and Jean Cheney. At the end of the course, the students receive eight college credits from Westminster.
All students must live below the federal poverty line and can have no previous college experience. They also must write personal statements explaining why they think the courses will help their lives."I had a normal life, worked, got married. I always wanted to go to school. No matter how old you are, there's still room to learn," said Richeda, smiling.
Beyond Venture
The students from last year's Venture course still meet every Tuesday and Thursday, not at Horizonte, but at Salt Lake Community College's South City Campus, part of the brand new Humanities in Focus program. At the end of May, their time with Venture came to a close and they found themselves not yet ready to give up being students. "It just wasn't time to quit," said Richeda.
The other students voiced the same opinion. When Metcalf asked how many of them would apply if there was a continuation of the program, they all expressed a desire. "{quotes}These students were coming to class every night, doing their homework, doing other work without even being asked to do it. They were enthusiastic and didn't want to quit{/quotes}," said Metcalf. Earlier in the semester, Metcalf had explained the Venture Course to Wirth, and together they developed the concept for the Humanities in Focus program.
There was still only one small problem: funding. Metcalf started looking for money and found it in a one-time grant from the Jarvis and Constance Doctorow Family Foundation in New York. With this money and help from the UHC and the Department of Humanities at the University of Utah, Focus on Humanities managed to come into being by September.
Student filmmakers
{mosgoogle}
Of the original 21 students in the Venture Course, 18 continued with Humanities in Focus. They meet twice a week for instruction from Metcalf and Wirth, discussing their projects and gettting feedback from one another and their instructors. Using the writing and narrative skills they learned last year in Venture, they're now learning to apply their vision and make something concrete to share with the world.
"The writing is so deep from their hearts," said Wirth, "they know their stories, and they're eager to learn how to tell them." Justin Scheurer, one of the student filmmakers, agrees. "I've always wanted to get into filmmaking," he said, "I just wish there was more time for this during the week."
Grouped into teams of four, they had to decide as a group what story to tell. They've chosen diverse topics, such as karaoke and the eclectic art scene. One group, with a member who was formerly homeless, is working hard to show the viewer what a day in the life of a homeless person is like. Another making a documentary about meth use among the poor, and they know this subject: Two of the women in the group have teenage daughters who use meth.
Working hard
Making it to class isn't easy for these people: All of them work long hours just to pay the bills, many of them are taking care of children, and some of them live far from the class site. Even so, the attendance rate is staggering, often at 100%. While the national average retention rate (the number of students that finish the course) is at about 50%, last year's Venture Course had an 80% retention rate, and this year it is at 90%. The Humanities in Focus course is near 100%.
Goals in sight
A few of the students graduated Venture and continued on to college. Richeda has been accepted into Westminster and has plans to pursue a psychology degree, and Judy Fuwell is studying Special Education full-time at the University of Utah. A number of other students plan to apply.
But that's not the main goal of the program. "While the hope is that through this experience some of the students will continue with college, the real goal is to offer a promise that being a lifelong student, however you do it, will serve you well," said Metcalf. "We want to awaken a curiosity in a population that has been terribly underserved." Wirth agrees. "It's quite an experience to teach people who are here 100% for education and expression," he said.
Future years
The Venture Course has funding for one more year, and Cheney has been invited by AHE to apply for future funding. Humanities in Focus is out of money, but Metcalf is diligently hunting for more.
Whatever happens in the future, what has already happened is sure to have an enlightening impact on Salt Lake's disadvantaged population for years to come.
To get a more personal taste of the Venture Course students, check out the photography exhibit by Kent Miles at the Whitmore Library (2197 E. Fort Union Blvd) beginning January 6.
Check out our website www.catalystmagazine.net for streaming video from one of the Humanities in Focus class meetings.
Visit the Utah Humanties Council's website at http://www.utahhumanities.org/Venture.htm (make sure you capitialize the V in Venture) to watch a documentary about the Venture Course made by Craig Wirth....Read More >> |
|
|
|
|
 | Film Special: SundanceFilm Fusion: a festival blend of cultures and genre-bending storytelling, personal and political. With so many movies and so little time, how to decide what to see? Geralyn has done your homework for you and shares her top 40 picks in four of the nine categories. Also, "New Year's Resolution: To support media that moves us and matters." A review of the Salt Lake Film Center's peak experiences from 2006.
Documentary “Spellbound” Sundance rejects/now rock stars debut their second film “Rocket Science,” a dramatic narrative film on Castro originates from France, an Asian and European team retell Mongolian mythology, the Brits revisit our walk on the moon, feature films address issues usually left to human rights activists and a Chinese director looks at blind ambition and cut-throat academia, filmed in Salt Lake City with Meryl Streep as his lead. One look at this line-up and you know Sundance has gone global, and the cross-pollination of ideas, filmmaking teams and co-production partners is breathtaking.
Citing what he defines as “a new maturity” in the indie movement, a more complex way of looking at the world and a bracing fusion of the personal and the political in much of the work, Sundance Film Festival director Geoffrey Gilmore says that selecting the 64 entries in four competition categories for the 2007 fest was more difficult than ever. There were close to 4,000 entries for 123 film slots — 850 entries for the 16 documentary slots alone.
“We’ve always been about discovering new filmmakers, the diversity of filmmakers, from racial and ethnic groups that are not traditionally part of the mainstream. But this year, there’s the sense that you’re really looking at new work, ” says Gilmore. Assessing the lineup strictly on the basis of subject matter, quite a few films deal with historical and/or political issues, beginning with Brett Morgen’s multiformat “Chicago 10,” which plays opening night. The lineup includes unapologetic political explorations of Central and South America and Africa. Filmmakers with documentary backgrounds made a number of dramatic features. Others, such as Tamara Jenkins, Tommy O’Haver and Jessica Yu, says Gilmore, “are making a completely different impression of who they are as filmmakers with films you’d never expect from them.”
Programmers found the works complicated, not all on point or predictable. “We’ve got antiwar films not from the left, but from the middle,” advised Gilmore. “We’ve got influences that are global, from Africa and Asia, that to an extent have left Europe behind. Four films deal with the process of writing and the authorial voice. Quite a few second-time filmmakers have come back with work that’s really original. There are films in this festival that have two languages in them, or are in foreign or native languages, that are not foreign films. They don’t worry about it. They just do it.”
As in most other years, some performers will have multiple films at Sundance 2007, but there are no films with Patricia Clarkson. This year, Vera Farmiga, who stunned audiences with her lead in Debra Granik’s 2004 Sundance Award-winning “Down to the Bone,” will appear in two films, “Never Forever” and “Joshua.” Also appearing in “Joshua” is another Sundance alum, Sam Rockwell, who also plays in David Gordon Green’s “Snow Angels.”
Sundance has long been a screening location for actor-director-producer Griffin Dunne. Dunne has appeared in film since the early 80s. At Sundance 2007, Dunne will star in “Snow Angels” and “Broken English,” directed and written by Zoe Cassavetes, daughter of John Cassavetes and Gena Rowlands. The film is a comedy also featuring Rowlands and Parker Posey.
Sundance producing veteran, Ted Hope has “The Savages” premiering and Hal Hartley’s “Fay Grim” in the Spectrum category. Rory Kennedy is back with “Ghosts of Abu Ghraib” including a second round of photos and the stories behind them that will shock and shame us as much as the torture they document. Judith Helfand, the Bella Azbug of personal political documentaries, is back with “Everything’s Cool,” a film on global warming that premiered for the US Conference of Mayors at Sundance Resort last fall. A Danish filmmaker documents an Afghani woman’s unlikely election to parliament in “Enemies of Happiness,” and the Bolivian film “Cocalero” follows the campaign of Aymaran Indian Evo Morales to become the first president of Bolivia from an indigenous tribe. Dakota Fanning stars in “Hound Dog,” a film that tackles sexual abuse and includes a controversial child rape scene; the child finds escape and solace in the music and revolution of Elvis.
“The Last Mimzy,” “The Year of the Dog,” “Resurrecting the Champ” and Salt Lake opener “Away From Her” look endearing and sentimental, words not often used when describing Sundance programming. All four have PG or PG-13 ratings.
Here are the films I will be standing in line for. If you live in Salt Lake City, make sure you visit the Rose to experience the razzle-dazzle of Eccles style premieres without the fuss and muss of Park City. This beautiful venue programs two films a night. Last year, despite the sold-out signs in the ticket office the theatre averaged 70% occupancy; all but two screenings seated everyone standing in the waitlist line. I’ll review films in four of the nine Sundance categories: Premieres, Spectrum, American dramatic and documentary, and world dramatic and documentary. These are my top 40 — Happy Sundancing!
OPENING NIGHT PARK CITY
“Chicago 10” explores the build-up to and aftermath of the antiwar demonstrations staged during the 1968 Democratic National Convention in Chicago, during which protesters clashed with the Chicago Police Department and the National Guard. Following the protest, eight of the most vocal activists were held accountable for the violence and brought to trial in 1969. The defendants represented a broad cross-section of the anti-war movement, from counter-culture icons Abby Hoffman and Jerry Rubin to renowned pacifist David Dellinger. Seven of the defendants were represented by Leonard Wineglass and famed liberal attorney William Kunstler, while the eighth defendant, Bobby Seale, co-chair of the Black Panther Party, attempted to defend himself. Judge Julius Hoffman presided over the trial. The film presents this moment in American history through a mix of bold and original animation and extraordinary archival footage that allows the film to move back and forth between the protests on the streets of Chicago and the resulting courtroom chaos. Set to the music of revolution, then and now, “Chicago 10” tells a story of young Americans speaking out and taking a stand in the face of an oppressive, armed government. “Chicago 10,” produced by Graydon Carter (“Vanity Fair”), is director Brett Morgen’s third Sundance film; the critically acclaimed “The Kid Stays in the Picture” premiered in 2002 and his Academy Award-nominated “On the Ropes” premiered in 1999.
OPENING NIGHT
SALT LAKE CITY
Canadian actress Sarah Polley makes her feature directing debut with “Away From Her,” an adaptation of Alice Munro’s short story “A Bear Came Over the Mountain.” Grant (Gordon Pinsent) and Fiona (Julie Christie) have been married for decades. They have been through rough patches, but their lives are inextricably connected and their relationship seems idyllic: they share a private language and obvious affection for one another. Now retired, they live comfortably in a house in the country, but their contentment is permanently disrupted when Fiona’s memory starts to deteriorate. Determined not to saddle Grant with her declining health, she insists upon going to a rest home, which only tears Grant apart. He feels guilty about decades-old behavior, and his state is worsened by the rules of Fiona’s new residence, which demand that he not communicate or visit with her for a lengthy time. The rest of the cast — including Wendy Crewson, Kristen Thompson, Michael Murphy and Olympia Dukakis — is stellar. Dealing with the slippery divisions between memory and forgetting, guilt and freedom, “Away from Her” has even more to do with compassion, empathy and enduring love — a heartbreakingly lovely and memorable cinematic experience. Rated PG
PREMIERES
“Year of the Dog”
Mike White (“School of Rock”) directs this comedy about the changes in a secretary’s life when her dog dies, starring Molly Shannon and Laura Dern. PG-13
“Resurrecting the Champ”
Samuel Jackson , Alan Alda and Josh Hartnett star in this Rod Lurie (“The Last Castle”) film about a sports writer’s rescue of a homeless man who turns out to be a boxing legend. Based on a true story. PG-13
“Waitress”
Adrienne Shelly wrote and directed this film just before she was allegedly murdered. Keri Russell stars as a pregnant, unhappily married waitress in the South.
“Trade”
Marco Kreuzpaintner directs this film about Adriana, a13-year-old girl kidnapped by sex traffickers in Mexico. The film features Kevin Kline as Ray, a Texas cop who befriends her grieving 17-year-old brother Jorge. From the barrios of Mexico City and the treacherous Rio Grande border to a secret Internet sex slave auction and the final climactic confrontation at a stash house in suburban New Jersey, Ray and Jorge forge a close bond as they give desperate chase to Adriana’s kidnappers before she is sold and disappears forever into this brutal global underworld, a place from which few victims ever return.
“Hound Dog”
This film, starring Dakota Fanning, takes place in the deep South. A precocious young girl finds safe haven in the music of Elvis Presley. Fanning takes on the loaded subject of sexual abuse with controversial scenes that caused an Internet ethics debate over child actress standards. Directed by Deborah Kampmeier.
“The Savages”
(USA; Tamara Jenkins, director and screenwriter) A sister and brother face the realities of familial responsibility as they begin to care for their ailing father and in doing so discover certain truths about themselves and each other. Produced by Ted Hope.
“The Last Mimzy”
(USA; Bob Shaye, director; screenplay by Joel Rubin and Toby Emmerich; screen story by James V. Hart and Carol Skilken) Based on the acclaimed sci-fi short story by Lewis Padgett, “The Last Mimzy” centers on two children who discover a mysterious box containing some strange devices they think are toys.
“The Ten”
(USA; Michael Wain, director and screenwriter) Ten stories, each inspired by one of the 10 commandments. An irreverent comedy starring Winona Ryder.
SPECTRUM
“Dark Matter”
(USA; Chen Shi-Zheng, director; Billy Shebar, screenwriter) Inspired by real events, “Dark Matter” delves into the world of a brilliant Chinese astronomy student whose dreams are challenged when he arrives in America to pursue his PhD. World Premiere; filmed in Salt Lake City.
“Dedication”
(USA; Justin Theroux, director; David Bromberg, screenwriter) A socially dysfunctional children’s book author is forced to work closely with a female illustrator when he loses his long-time collaborator and only friend. World Premiere.
“Delirious”
(USA; Tom DiCillo, director and screenwriter) A small time paparazzo befriends and hires a homeless young man who flirts with fame and fortune when he becomes entangled with a famous pop star. North American Premiere.
“The Devil Came on Horseback”
(USA; Annie Sundberg and Ricki Stern, directors)—”The Devil Came on Horseback” exposes the genocide raging in Darfur, Sudan, as seen through the eyes of a former U.S. marine who returns home to make the story public. World Premiere.
“Expired”
(USA; Cecilia Miniucchi, director and screenwriter) When a lonely, gentle meter maid meets a troubled fellow parking officer, their love affair becomes an awkward dance of attraction and antagonism. World Premiere.
“Fay Grim”
(USA; Hal Hartley, director adn screenwriter) A single mother whose husband has been missing for seven years is used as bait by the CIA in this international espionage caper. U.S. Premiere.
“Interview”
(USA; Steve Buscemi, director; Steve Buscemi and David Schechter, screenwriters) A fading political journalist has a falling out with his editor and is given an assignment to interview a top television actress, which derails into a battle of wits and deep, dark secrets. World Premiere.
“Low and Behold”
(USA; Zack Godshall, director; Zack Godshall and Barlow Jacobs, screenwriters) When an unmotivated young man signs on as an insurance adjuster in hurricane-ravaged New Orleans, he is profoundly changed by the destruction and loss he encounters. World Premiere.
“La Misma Luna
(The Same Moon)”
(USA; Patricia Riggen, director; Ligiah Villalobos, screenwriter) When his grandmother dies, a young Mexican boy struggles to cross the border to reunite with his beloved mother, who is working hard in Los Angeles to create a better life for the family. World Premiere.
DRAMATIC
COMPETITION
“Broken English”
(Zoe Cassavetes, director and writer) In this romantic yarn, a 30-something woman (Parker Posey) embarks upon a relationship with an offbeat Frenchman while her friends are preoccupied with family life. Also with Melvil Poupaud, Drea de Matteo, Gena Rowlands, Justin Theroux, Peter Bogdanovich, Tim Guinee, James McCaffrey, Josh Hamilton and Bernadette Lafont.
“Four Sheets to the Wind”
(Sterlin Harjo, director and writer) This debut feature from the Sundance Lab is a comedy/drama about a Native American brother and sister who, after their father dies, embark upon a new life in Tulsa. With Cody Lightning and Jeri Arre-dondo.
“Grace Is Gone”
(James C. Strouse, director and writer) Strouse’s first dramatic feature is a topical story about the three days it takes for a father (John Cusack) to summon the courage to tell his young daughters that their mother has been killed in Iraq. Alessandro Nivola, Shelan O’Keefe and Gracie Bednarczyk fill out the cast.
“The Pool”
(Chris Smith, director; Chris Smith and Randy Russell, writers) This class study acted in Hindi and filmed in Goa, India, is about a young hotel worker’s fixation on a swimming pool and the family that comes to occupy the house it adjoins. Nana Patekar, Venkatesh Chavan, Jhangir Badshah and Ayahs Mohan star.
“Rocket Science”
(Jeffrey Blitz (“Spellbound”), director) An HBO-produced story, this film is about a 15-year-old stutterer from New Jersey who is drawn into the intense world of competitive debate when he falls for the star of the debate team.
“Snow Angels”
David Gordon Green (“George Washington”), director; Stewart O’Nan, writer) A dark tale about a teenager, his former babysitter, her estranged husband and their daughter. Sam Rockwell, Kate Beckinsale, Griffin Dunne and Amy Sedaris star.
“Starting Out in the Evening
(Andrew Wagner (“The Talent Given Us”), director; AndrewWagner and Fred Parnes, writers) A grad student convinces an aging, solitary writer (Frank Langella) that her thesis will put him back in the literary spotlight. Lili Taylor, Lauren Ambrose and Adrian Lester co-star.
DOCUMENTARY
COMPETITION
“Crazy Love”
(Dan Klores,director) The troubling true story of an obsessive relationship between a married man and a beautiful, single 20-year-old woman that started in 1957 and continues. This year’s “Capturing the Friedmans,” it has to be seen to be believed and even then you are not sure what to believe.
“Everything’s Cool”
(Judith Helfand and Daniel B. Gold, directors) This film follows the struggles of global warming activists to find the right ways to move from advocacy to public action on behalf of alternative energy.
“For the Bible Tells Me So”
(Daniel Karslake, director) A look at five conservative Christian families as a way of analyzing how the religious right has tried to use the Bible to stigmatize gays.
“Ghosts of Abu Ghraib”
(Rory Kennedy,director) Firsthand testimony and shocking photography examine the abuses at the Iraq prison and provide psychological profiles of some of the perputrators and military interrogation protocol.
“My Kid Could Paint That”
(Amir Bar-Lev,director) A 4-year-old girl’s paintings have been compared to the work of Kandinsky, Pollock and Picasso and have already netted her parents $300,000. Is it art or hype, a child genius or greedy parents?
“Nanking”
(Bill Guttentag and Dan Sturman, directors) This film examines the “Rape of Nanking” by the Japanese in the 1930s, with attention to the special efforts of a small group of westerners who saved more than 250,000 people in the midst of the violence.
“No End in Sight”
(Chris Ferguson, director) Directed by a former Brookings Institute advisor, this film examines how forces from the United States and a handful of allied nations invaded Iraq to remove Saddam Hussein from power, and includes interviews with a number of figures involved in the conflict’s decision-making process, some speaking on camera about the war for the first time.
“War Dance”
(Sean Fine and Andrea Nix Fine, directors) Three young Ugandan girls and their refugee camp school travel to compete in a national music and dance festival. During this civil war in Uganda, over 30,000 children have been abducted by a rebel army and two million Acholis have been displaced into IDP camps, and most people have no idea that this is going on.
“White Light/Black Rain: The Destruction of Hiroshima and Nagasaki”
(Steven Okazaki, director) This film looks at the human cost of atomic warfare through the memories of survivors.
WORLD CINEMA
DRAMATIC COMPETITION
“Blame It on Fidel”
(France; Julie Gavras, writer and director) The parents of a nine-year-old girl become political radicals in early ‘70s Paris. From the child’s point of view, the film explores where our political conscious and personal ideologies come from with great humor.
“Erza”
(France; Newton I. Aduaka, director; Aduaka and Alain-Michel Blanc, writers) A former child soldier attempts to carve out a normal life after the civil war in Sierra Leone. World Premiere.
“How She Move?”
(Canada; Ian Iqbal Rashid, director; Annmarie Morais, writer) The tale of a private school student forced to return to her former crime-ridden neighborhood, where she takes up competitive step dancing. World Premiere.
“Once”
(Ireland; John Carney, director and screenwriter) “Once” is a modern-day musical set on the streets of Dublin. Featuring Glen Hansard and his Irish band The Frames, “Once” tells the story of a busker and an immigrant during an eventful week as they write, rehearse and record songs that reveal their unique love story. North American Premiere.
“Eagle vs. Shark”
(New Zealand; Sundance Directors and Screenwriters Lab) A wry and comic tale of two awkward misfits, Lily and Jarrod, searching for acceptance, the film stars New Zealanders Loren Horsley as Lily and Jemaine Clement as Jarrod. Horsley also developed the character while collaborating with Waititi on the script. Ainsley Gardiner and Cliff Curtis of Whenua Films are producers.
“Noise”
(Australia; Matthew Saville, director adn writer) “Noise” follows the struggles of a young cop who suffers from tinnitus, or ear-ringing, to clear his head of the screaming he hears in the wake of a mass murder on a train. World Premiere.
“Sweet Mud”
(Israel; Dror Shaul, writer and director) An account of a man who must deal with his mother’s mental illness within the constraints of 70s kibbutz life. This year’s Academy nomination for best foreign film.
WORLD CINEMA
DOCUMENTARY
COMPETITION
“Khadak—The Color of Water”
(Belgium/Germany; Peter Brosens, Jessica Hope Woodworth, directors) An ancient fable played out in contemporary time in the frozen steppes of Mongolia, Khadak tells the epic story of Bagi, a young nomad confronted with his destiny to become a shaman. A plague strikes the animals and the nomads are forcibly relocated to desolate mining towns. Bagi saves the life of a beautiful coal thief, Zolzaya, and together they reveal the plague was a lie fabricated to eradicate nomadism. A sublime revolution ensues.
“Bajo Juarez, the City
Devouring Its Daughters”
(Mexico; Alejandra Sanchez, director) This film examines the societal corruption behind the many cases of sexual abuse and murders of women in a Mexican industrial border town.
“Cocalero”
(Bolivia;Alejandro Landes,director) “Cocalero” follows the campaign of Ay-maran Indian Evo Morales to become the first president of Bolivia from an indigenous tribe. World Premiere.”
“Enemies of Happiness”
(Denmark; Eva Mulvad and Anja Al-Erhayem, directors) An account of the victory of a 28-year-old Afghan woman in the 2005 parliamentary election.
“Hot House”
(Israel; Shimon Dotan, director) An Isreali version of “Road to Guantanamo” examines how Israeli prisons have become a breeding ground for future Palestinian leaders and terrorists and asks us to examine how the United States and Israel, arguably two of the most important democracies in the world, have become the most controversial in military interrogation and detention.
“In The Shadow of the Moon”
(UK: David Sington, director) One of the defining passages of American history, the Apollo Space Program literally brought the aspirations of a nation to another world. Awe-inspiring footage and candid interviews with the astronauts who visited the moon provide an unparalleled perspective on the precious state of our planet.
“Manufactured Landscapes”
(Canada;Jennifer Baichwal, director) An examination of the work of photographer Edward Burtynsky and his portraits of the landscape transformation due to industry and manufacturing. Not since Sebastiao Salgado’s “Workers” have we had the chance to examine industry and growth with such visual scale. Winner of Best Canadian Film Toronto Film Festival.
“On a Tightrope”
(Norway/Canada; Petr Lom, director) Four orphans learning tightrope walking express the struggle of the Uighur Chinese Muslim minority to reconcile religion and communism.
“Welcome Europa”
(France; Bruno Ulmer, director) The struggles of Kurdish, Moroccan and Romanian immigrants and the racism they face in Europe. This film can help Americans see our own border issues as we build fences that have become walls.
...Read More >> |
|
|
|
|
 | A Democratic EvolutionDemocracy is a process, not a product.
Of all the reasons President Bush and his advisors have given to justify the invasion of Iraq, the goal of making Iraq into a functioning democracy is the one currently on the table. The goal of giving an Islamic culture an extreme makeover is what keeps us in Iraq. The initial reason given for invading Iraq reveals key characteristics of those who put us there. In the case of the missing weapons of mass destruction, we see the absence of fundamental critical thinking skills—a cavalier attitude about the importance of having enough information on which to base decisions, a fatal tendency to analyze wishfully the information they did have, and then manipulation of the conclusions to meet preset goals. Our leaders also revealed their moral character, with a willingness to mislead and even lie to influence public opinion. They believed that truth is what they said it was, and that facts and dissenting opinions of allies did not matter. They believed the American people could be scared into anything and wouldn’t eventually discover the lies they were told. Most Americans now see through those lies and also see the incompetence of those who thought they were so right and so smart that they didn’t need a plan. But it has taken us longer to see through and give up on that justification of spreading democracy in the Middle East because it appeals to our better selves. Bush and buddies also needed a noble purpose that would speak to our ideals. Searching for WMDs is a mere hunt, but spreading democracy is a mighty quest. If you are skeptical about their motives, you may just dismiss all that rhetoric about freedom and democracy as so much window dressing for an invasion that was also not about weapons of mass destruction and links to terrorists. It was always about the oil, you might argue, and still is. They have oil. We want it. Period. The invasion of Iraq, you might say, was as much about spreading democracy as EnergySolutions is about saving those endangered tree frogs that crawl across their television commercials. Fair enough. But if we at least give the American people the benefit of the doubt that the rationale of spreading democracy was an important motive for their support for going to war in Iraq, we have to ask: Even if it were a sincere motive for going to war, is spreading democracy a reasonable expectation? To see just how much those who put us in this mess understand about democracy, let’s look at how our leaders have conducted themselves at home: They started in 2000 with an election characterized by fraud and political manipulation. They treated the slimmest electoral validation possible as an unlimited mandate. They pushed through the Patriot Act which increases police powers at the expense of civil rights, created the domestic surveillance programs they insist require no oversight or permission, justified torture, censored science that doesn’t suit them, and pursued the wholesale looting of the democratic process by lobbyists. Bush’s most ardent supporters don’t believe in the separation of powers or the separation of church and state. They never miss an opportunity to cut the public out of decision-making and to avoid oversight and accountability. Why would we think they know enough about democracy to teach it to anyone else? Here are a few things they don’t get: A democratic culture is not made at the point of a gun in the middle of a civil war. Democracy is not downloadable—it isn’t an operating system you sell with a turnkey and then stand by to give technical support. Democracy is a system of government that rests on a culture with a history of incremental achievements. Look at our own history. Abolitionists struggled for decades before slavery was ended at the conclusion of a bloody Civil War. The suffragettes struggled to extend the full rights of citizenship to women. There was a long and intense labor movement to protect children and workers and a Civil Rights movement to enfranchise people of color. Today, 230 years after the Declaration of Independence, we are still working to practice democracy, to reconcile our differences, and to understand how to live in a democratic culture. The civic behaviors and tolerant attitudes we take for granted — such as agreeing to disagree, protecting dissent, communicating openly with one another, defining our communities inclusively, and not judging one another on the basis of religion, race, or ethnicity — did not come naturally or easily. They were acquired over generations, they are cumulative in nature, and we are still struggling to practice them. Did George Bush really intend to stay in Iraq for a couple hundred years, or did he and his advisors confuse the development of a democratic culture with the establishment of an open marketplace, a legislative institution, elections, and a corporate media outlet or two? Did they confuse the trappings of democracy for the real thing? Democracy isn’t a stage set and props, it’s a play and actors. Spreading democracy is indeed a noble goal, but we have the wrong delivery system. You don’t midwife a baby with a hammer and saw; democracy is not made with bombs. A democratic system is made with libraries and schools. Public libraries and public schools, that is—open, inclusive, and accessible. It is made with independent bookstores and newspapers, unfettered radio and television, uncensored Internet access, public debate, civil rights, dissent, free artistic expression, and the guarantee that your opinion, let alone your last name, won’t get you killed at a roadblock. Foreign soldiers do not deliver such democratic tools, agreements, and norms, though a Peace Corps volunteer or an exchange student might. We are not the first to have tried this approach. In 1941 the British Empire, in a parallel act of hubris, decided it could ‘presto-chango!’ create a nation out of rival ethnic and religious groups and Iraq was born. Saddam Hussein held the country together with a brutal hand (much as the dictator Tito held Yugoslavia together before it broke up into ethnic warfare). We overthrew Saddam and thought we could download democracy, go home, and everyone would live happily ever after. As we have since learned, we were beyond naïve. It doesn’t work that way. So it is not about democracy, not if you understand what a democratic culture really is. Now, if it is about oil, and the control of their oil is the last compelling explanation for the invasion that is left, let’s talk about that. For example: What has been and will be the cost of the war versus a national campaign to become energy independent? But let’s drop the rhetoric about freedom and democracy. That part of Bush’s mission is no more real than the weapons of mass destruction.
“Activist, urban librarian and environmental writer as well as the author of ‘Hope's Horizon: Three Visions for Healing the American Land,’ Chip Ward (as the title of his fascinating book suggests) likes to focus on the sparks amid the global gloom,” writes Tom Engelhardt of The Nation Institute. ...Read More >> |
|
|
|
|
 | Christianity TransformedChristianity for the heart. And the head. An interview with Marcus Borg.
The beginning of the new year is traditionally when people resolve to change their lives for the better. Sometimes the best way to change is to start all over again. Dr. Marcus Borg offers a refreshing and uplifting view of the kind of change Jesus was passionate about.
On February 2-4, 2007, Borg will be in Salt Lake City at the Christ United Methodist Church to teach a seminar called “Christianity for the Heart. And the Head.” Borg is an Oxford-educated historical Jesus scholar and the author of numerous books on the subject. His seminar will focus on the importance of transformations in Christian life, both personal and political.
Many Christians, according to Borg, focus exclusively on the afterlife. They believe whatever they need to so they will go to heaven. He suggests, instead, they try concentrating on this life. “I sometimes put the contrast between a belief-centered Christianity and a transformational-centered understanding of Christianity.”
As Borg sees it, we are all ripe for change. He decries what he sees as the central values of American society: affluence, achievement and appearance. He believes that being guided by these ideals leads to an alienated and anxiety-ridden life. “The central Christian symbolism of the New Testament is about dying to that way of life and being born into a new way of life,” he says.
He calls this personal transformation being born-again, a term that is monopolized by more conservative Biblical literalists. All Christians, according to Borg, should go through not one, but a series of spiritual rebirths in the service of bettering themselves and society. He says, “practices like prayer, worship, paying attention to our relationship with God, all of these are practices that facilitate that transformation.”
Besides changing ourselves, Borg says, Christian belief dictates that we must change our political systems so they provide economic justice for all. Borg is critical of American economic policies for the last 25 years, and especially those of the current administration, for being structured to benefit only the wealthiest Americans. Whether it’s tax cuts for the rich or our failure to increase the minimum wage in over a decade, we have failed the indigent and the voiceless. “So taking seriously the Bible’s passion for political transformation would mean, for American Christians, voting for an economic system very different from the one we have,” he says.
Borg doesn’t advocate pure socialism. Rather, he says we should look to the hybrid economies of Europe for our example. “People who have traveled in Europe know that the people live well in those countries. They aren’t sort of gray socialist countries because they have a mixed economy.”
The other change in our political system Borg believes is central to Christian belief is the pursuit of peace. He says that the Christian ‘just war’ tradition prohibits going to war except in self-defense. “Thus it would mean standing against American imperial foreign policy insofar as it claims the right to launch pre-emptive wars. I think that is so far from anything Christian that to take Jesus and the Bible seriously means to stand against that, and to stand for the avoidance of military violence,” Borg says.
The staunchest supporters of the war in Iraq are Biblical literalists. “The demographic group in our country giving the largest percentage of support to going to war against Iraq were white evangelicals, and that’s both tragic and ironic,” says Borg. The end-time theology to which many Biblical literalists subscribe is filled with religious wars and bloody clashes of civilizations.
There is evidence that the evangelical movement is not monolithic. Borg says that from 15% to 20% of evangelicals are willing to engage in a dialogue about progressive issues with mainline churches. Needless to say, this is a trend Borg strongly encourages.
With much work, we can focus the good religious intentions that swirl around this planet onto changing what’s wrong with it. As Borg said, quoting from Psalm 24, “The earth is the Lord’s and the fullness thereof, the world and those who dwell therein.” As citizens of the world, our work is to ensure peace and equity for all.
Dr. Marcus Borg
Christ United Methodist Church, 2375 East 3300 South
Friday, Feb. 2-Sunday, Feb. 4
Registration: pluto.matrix49.com/15641/?subpages/ Borg-Front-Page.shtml
Questions: Deanna Kerr, 680-0845.
...Read More >> |
|
|
|
|
 | It's the End of the World?Environmental despair as a tool for healing: An interview with Theresa Holleran.
I admit it – I don’t read newspapers as thoroughly as my politically minded mother would have liked. I’m either too busy, too lazy, or maybe I just don’t want to read disturbing news from around the globe. Just the other day, I glanced at the paper, catching a glimpse of a front page article on global warming; scientists fear it’s worse than previously thought. The rapid rise in the earth’s temperature is approaching a level not seen in one million years. I was on my way to go grocery shopping. What was I supposed to do with this information?
We live in a new reality. Images of war, genocide and natural disasters are a click away as a constant stream of news reports filter through us: nuclear proliferation, avian flu, depletion of the ozone layer, bioterrorism and airline threats. As common as the weather report, they become ambient noise. Yet we trudge along, living our lives as if this is normal. Well—it is normal. But is it healthy?
How do we cope with information bombarding us from across the globe without falling apart ourselves? Where does all of this negative psychic energy end up in our minds? Our bodies? How do we process the potential annihilation of our species and planet?
Some suppress fear and anxiety by hiding behind a 72-hour food supply and a carton of duct tape. But for others, the terror and feelings of hopelessness go much deeper into the psyche, rendering them unable to live fulfilling and productive lives. This misery, whether acute or mild, can be called environmental despair.
In a society which values optimism and “looking on the sunny side of life,” few forums or outlets exist to discharge pent-up fear and anxiety. Nobody wants to hear complaints about impending disasters. However, these feelings can be tapped into and used as seeds for change. Using environmental despair, loss or trauma as a catalyst for transformation, Theresa Holleran, a therapist at Red Rock Counseling & Education with 31 years of experience, helps heal her patients. She encourages valuing these disturbances and looking inward, “because therein lies the wisdom.”
Symptoms of environmental despair should be respected, viewed as tools for understanding deeper issues within the self. When there is an inversion in Salt Lake City, Holleran uses the inversion as a means for uncovering underlying disturbances and working through issues by having people actually role play and become the inversion. She challenges them to identify those things, like the muck trapped inside the heavy, enveloping cloud, that don’t belong inside of them, thoughts that may need to be expelled. The inversion invites opportunity for introspection.
Holleran is an avid follower of Joanna Macy, the author of many books and a leader in creative sustained social action. She recalls hearing Macy at a transpersonal psychology conference in the early ’90s. “Macy said, ‘If we cut down the rainforests in South America, I will not be able to breathe in California.’” Holleran adds, “What happens in Chernobyl or the rainforest does affect me here. We are not separate.”
“As we work to heal the earth, the earth heals us,” writes Macy in “World As Lover, World as Self.” It’s a natural feedback loop whereby helping yourself causes you to help others; helping others can create change within. And, Holleran says, you have to start with the self. “It’s very easy for us to judge what’s happening on the other side of the world, but we have our own internal warfare.” If you can make peace with your demons, you bring light into your shadow. “If I can do that with my own material,” she continues, “then I can also work on that with my family, my intimate others, my friends, my community. Then I will be contributing to transformation on this planet.”
Holleran also draws upon the teachings of other cultures to guide her patients deeper in the transformation process. She works with yoga and meditation practices for quelling anxiety and mood disturbances; she advocates the benefit of service.
“In the West we don’t realize how important it is to be of service,” she says. “Service can be to our own children, it can be to trust that our creativity has something to offer someone else or the developing world.”
This reminds me of the Hebrew phrase Tikkun olam, which translates to “repairing the world”—performing human acts of kindness (mitzvot) to bring the world closer to perfection, thus avoiding negative and social consequences.
What to do if you are experiencing environmental despair? Holleran encourages asking yourself, “Is there anything in this moment I can express or do that will help the situation?” It might be to start recycling in earnest, buying organic, becoming a social activist or voting for politicians who are moral and respect the environment.
Or, it may be as simple as not watching the nightly news. How can that help?
In “Abandoned Soul, Abandoned Planet,” renowned Jungian analyst and author Marion Woodman is interviewed about environmental illness and despair. She discusses negative imagery literally changing the body’s cells and its immune response, and advocates the “sword of discretion” in ridding ourselves of negativity. Referring to watching horrific images on the nightly news just before bed, she challenges us to ask ourselves, “Is this program of value to me? Is this the right time to watch it? Is it sapping my energy?”
Marion continues, “Questions such as these have to be asked about ideas, relationships, possessions, anything that may be becoming destructive to the soul’s growth. What is destructive has to be, first of all, recognized; and, secondly, cut. That takes courage.”
But courage also requires support. During times of transformation, Holleran says, “we need a structure, or as Marion Woodman calls it, a ‘container’ that can hold us as we’re working with the disturbances or losses. Certainly therapy can be a container. Having the ability to mirror yourself to yourself in some way through art, music, dance, journal writing; taking an art or writing class, listening to a meditation tape, talking with a spouse or a circle of friends whom you really trust that can mirror you and reflect back to who you are—these are some ways to find structure. Take time out of ordinary life for reflection.”
In times of such disturbance, Holleran continues, “find a container in creativity, prayer, service work, social activism or spiritual practice, whatever religion or practice you observe.” Maintain a “deep presence for the ones you love and a deep presence and empathy for your own inner state. Have an attitude of curiosity because that disturbance may take you to some new territory.”
Holleran also invites clients to feed themselves healing images of the positive feminine or the positive masculine. For those without such a positive figure in life, she suggest looking for one and beginning to create it in their own psyches.
The importance of positive role models and mentors cannot be underestimated in helping us guide our way in the world. Find an elder. “Not valuing the elderly is a tragedy. We think that being fit and holding onto our youth is where our values should be rather than letting the luminosity of wisdom shine through our bodies as we age.” Holleran encourages us to find teachers, mentors, and some wise elders to learn from—in person if you can do it; if not, through books, classes or retreats.
Growth and transformation sometimes require suffering. It’s part of the human condition. “In order to step into a more authentic life we have to have an ability to face our own suffering and loss,” says Holleran. And it is human to feel both pain and happiness. “To be an evolved human being, you have to be able to tolerate that paradox.” She adds, “It’s been times when I’ve been in the most pain, that I’ve dug down into my deepest sense of self and experienced the most growth and sense of grace.” Surrendering into whatever life gives us and being able to let go is to live a fuller life.
Ironically, living a full life also requires the process of death. Every generation has some terrible challenge to face, bringing to consciousness the nearness of death. “Many indigenous cultures view death as the ally, sitting on your shoulder as a way to make you feel present in the world,” she says. Time is fleeting and the task is to figure out how the specter of death “can be our ally in making decisions to create a vision that is in the service of life.” She quotes Marion Woodman: “Birth is the death of the life we have known. Death is the birth of the life we have yet to know.”
But there is hope. “On one extreme, because of the Internet we have images and information about the worst that’s happening around the world,” says Holleran. “But, we also have access to spiritual wisdom and guidance that has never been available before. We have real help. There are teachings and practices that can really help us as individuals to cope and evolve our own consciousness so that we can face these things.”
Resources
Red Rock Counseling & Education. 150 South 600 East, Salt Lake City, UT 84102. 524-0560.
www.mwoodmanfoundation.org – The official website for Marion Woodman’s work
“World As Lover, World As Self,” by Joanna Macy. This collection of talks and essays deals with issues of environmental despair and transformation.
“The Places That Scare You,” by Pema Chodron. A guide to fearlessness in difficult times.
“Man’s Search for Meaning,” by Viktor E. Frankl. The renowned psychiatrist’s own experiences in Nazi concentration camps and his ability to survive. Frankl believes man’s motivation for survival lies in purpose and meaning.
...Read More >> |
|
|
|
|
 | Trying to Look GoodMaking up: A life chronicled in looks.
Skin had hope, that’s what skin does.
Heals over the scarred place, makes a road.
Love means you breathe in two countries.
And skin remembers—silk, spiny grass,
deep in the pocket that is skin’s secret own.
—Naomi Shihab Nye
This morning, I applied Out To Sea teal blue eye liner, Aquadisiac eye shadow, Amorous Satin lipstick, a schmear of Goldigloss, and scooted downstairs to bake coffee cakes, simmer freshly made cream of asparagus soup, roast a chicken and make green chile for that evening’s chicken enchiladas, stir up a batch of chocolate chip cookies, and of course, a couple pans of Fudge Espresso brownies.
Do I even have company? Does it matter? Doesn’t this sound like something very to do with love?
I am a newly converted MAC cosmetics babe, though I have been seduced of late by Prescriptives—for the little pots of Cool Shimmer—silvery gleamy stuff, making you feel like a sliver of moon, and their Le Magic powder which gives your face the finish of a porcelain doll, and since I do seem to cry real tears, a doll feels very like an operative look.
And I am absolutely all about cream. In the kitchen, it’s organic, of course, in heavy and sour and 1/2 and 1/2, and skinwise, it’s Khiel’s, the very classic NYC apothecary, making me feel somehow spoiled and PC at the same time.
When, alone and at work in the kitchen, should I catch a glimpse of myself in the mirror, I feel I am at least making a valiant effort at beauty.
And effort feels like the operative word.
I did my teen years marching against the War (Viet Nam, that time), and organizing grape boycott picket lines with Dorothy Day’s Catholic Workers. I went from grade school girdles (yup), Brooks Brothers’ man-tailored shirts and kilts (cum the de rigueur pin), navy knee-high socks and Bass Weejun loafers sporting shiny dimes, to high school years in overalls, frizzed out hair, and a horror of anything approaching “trying” to look pretty.
It felt like a betrayal of my values: of my desire to remake this country, my heart-breaking family, and my middle-class Jewish girl self.
College years were spent in black leotards, black suede boots and Levi 501s, very tight. I was pale, poetic and vaguely, pervasively, angstish.
The woman I was would have found this woman frivolous.
She didn’t understand that part of a woman’s re-making throughout her life is her way with beauty in the world. Whether politics, skin care, hair color, her garden, or her dining room.
When I was a very young, married, newly childrened woman, my mother died. I was devastated, and nearly inconsolable. In Jewish tradition, we sit Shiva, a mourning time, when friends bring food, mirrors are covered or turned to the wall, and I began to wear a line of dark blue drawn beneath my eyes.
Narayan Singh, noted Sikh “face reader” and psychic, told me, years later, “You are still wearing your sorrow; when you cease grieving, you’ll give it up.”
He was right, except as the years have clocked by, I’ve added, as age may, sparkle and dazzle to that sorrow. My glittery turquoise make-up has become a badge of courage, a way I stay in memory and balance, my own beauty way, both playful and faithful.
Same, and similar, I love tableware for any and all occasions, collect vivid linens, batiks from India, from Provence, and still have all my mother’s great ’50s florals. I do cloth napkins in rings, love silver sets and salt and pepper in my grandmother’s small crystal pots with tiny, intricately worked spoons. I keep a picnic basket in my van, stocked with the proper accoutrements for a full-on spontaneous moment of utterly festive feast.
I love perennials in their ceremonious, dependable bloom, also the quickie thrill of marigolds and zinnias, the circadian miracle of morning glory and four o’clocks.
And did I happily spend a small fortune for the privilege of having Santa Fe hair guru, Philip Atencio, make my hair look rather as if it just happened to come this way? You bet I did!
Let’s make up, we say, when we mean something combining forgive and start over. As in, invention, as in created fresh.
So I make this effort these days. In my unlovered, unpartnered life, I miss most being touched, being held, and being told I am beautiful.
I didn’t know it would be like this.
From those earliest little-girls-in-smocked-pinafore days, I always thought I would be a Wife.
When this boomerang of a thought comes round to hit hard, I call my gorgeous Girl-Child and declare it time for a “MAC Attack.” We motate straight to Dillard’s and hit that counter hard, trying on all the new seasonal colors, being expertly daubed and brushed and polished and blushed by saleswomen in great shoes, and delicious parfum. It’s Dorothy and the gang in Oz—remember?—when they get shined and gussied up to meet the Wizard.
If you’ve got to slay a witch, you might as well look good.
I recently spent 10 days, which I am privileged to do four times a year, with a community of people from all over the world, aged early 20s to way older than me, studying with Martín Prechtel, in his school, Bolad’s Kitchen.
On the last morning, as we gathered to make our formal thanks, I stood looking in my rear view mirror, applying color to eyes and lips. One of the women, exactly my age, said to me, wryly, but not unkindly, “Hey! That’s not fair! You’re trying to look good!”
“Yes,” I answered her, “Indeed I am.”
In the midmost of my 30s, when my once and no more beloved and I would disappear (our forte) on road trips of great and wild duration, no matter how deep in the woods, or long out in the mountains, I would peer into the rear view mirror and apply my eye make-up. “Dressing for the deers,” we called it.
And I always do. I dress for the deers, and I dress for the dear.
Only what has become dear is much, much larger and more mysterious than I ever guessed. I just re-applied lipstick to write this. u
Judyth Hill is a stand-up poet, living at Rockmirth, her 111-acre Eco-Arts Atelier in northern New Mexico. Her six published books of poetry include “Men Need Space” and “Black Hollyhock, First Light”; she is the author of the internationally acclaimed poem, “Wage Peace,” and was described by the St. Helena Examiner as “energy with skin.”
...Read More >> |
|
|
|
|
 | Urban PioneersA concert of Utah's 1960s folk music or the best family reunion you'll ever go to.
“The world does not belong to the young. I was here first.”
– Bruce “U. Utah” Phillips.
Forty-odd years ago, the whole United States was caught up in a folk music revival closely associated with the anti-war movement and liberal politics of the day (and which eventually inspired the hilarious Chistopher Guest comedy “A Mighty Wind”).
Strangely, this dynamic musical period had its origin as a scholarly research project. During the Great Depression, a New Deal program called the Works Progress Administration hired unemployed folklorists and sent them into the boonies to make field recordings of traditional music. The folklorists came back with recordings of musical styles most urban people had never heard before— gospel, blues, labor songs, banjo picking and suchlike.
A new generation of musicians was so amazed by the raw authenticity of what they heard that they didn’t want to just listen, they wanted to play and sing like that themselves. The music especially touched a nerve for middle-class white kids, maybe because their upbringing provided no adequate substitute for the expressive power of home-grown music. Out in the larger world singers like Peter, Paul & Mary, Bob Dylan, and Joan Baez were making a name for themselves, but as so often seems to happen, Utah was along for the ride. Traveling in a parallel universe.
One thing that made Utah different was the rich local folk music tradition. Mormon converts from across Europe and America had melded their musical styles, and folklorists from BYU, the University of Utah and Utah State University had made extensive collections of Utah folk music that were similar to the WPA folklife projects, but not part of them. That meant that in Utah, folk-revival musicians had access to completely unique material. Folklorist Hal Cannon (founder of the Western Folklife Center in Elko, Nevada) recalls sluffing classes when he was a student at the University of Utah to go to the library archives and listen to songs collected in the 1940s by professor Lester Hubbard. Cannon fell in love with what he heard and wanted the music to live again. He taught himself to play the songs, and they became part of the repertoire of the Deseret String Band (which many years later represented Utah at the close of the Winter Olympics in Nagano, Japan).
The 1960s folk music scene in Utah crystallized around two exceptionally bright and shining stars (who happened also to have been a teenaged Hal Cannon’s guitar teachers ). One was Bruce “U. Utah” Phillips, an anarchist, pacifist veteran, labor activist, Peace and Freedom Party candidate and master of the shaggy dog story (the Moose Turd Pie joke will haunt him to his grave). The other was Rosalie Sorrels who is the woman in the lyrics of the Nanci Griffith song “Ford Econoline”: “She’s the salt of the earth/ Straight from the bosom of the Mormon church/ With a voice like wine/ Cruising along in that Ford Econoline.” In a 2003 National Public Radio interview, Sorrels described her music as “a way to take sorrow and turn it into a thing you can hold in your hand and throw away.”
Fast forward to the present and it turns out that both Utah Phillips and Rosalie Sorrels got famous. Not really rock-star famous, but sort of underground famous—the type of famous where lots of really, really well-known performers play their music and talk about them on stage but people who aren’t from Utah aren’t quite hip enough to catch the reference. Famous like when bluegrass legends Lester Flatt and Earl Scruggs sang “You’re Gonna Miss Me When I’m Gone” and it turns out that’s a Utah Phillips song.
Nonetheless, in 2004 when folklorist Dave Stanley edited a history and resource guide called “Folklore in Utah,” the book hardly even mentioned Utah’s golden age of folk music. Polly Stewart, an English professor about to retire and move back home to Salt Lake City, realized that unless someone did the research the whole era would die with the memories of people who were there, and she decided to write the history herself. An article she wrote for the Summer 2006 issue of “Utah Historical Quarterly” describes the period of 1959-1966 as “a concentration of sociopolitical and artistic energy of a sort never before felt in Utah,” and she knows what she’s talking about because back then she was the “Polly” who played authoharp with “Polly and the Valley Boys,” one of Utah Phillips’ bands. Polly also grew up as a neighbor to Rosalie Sorrels, and when she was a student at the University of Utah she remembers walking past the Sorrels’ house in the Avenues and sometimes Rosalie would tap on the window to invite her in for a cup of coffee.
So that’s the other remarkable thing about Utah’s golden age of folk music: it was extremely personal. When you went to the concerts (which I did, because my parents took me when I was a little kid), you sat right next to the performers and afterwords got to hang around and chat with them.
Imagine it’s the 1960s and you are an anti-war, left-leaning, socially idealistic college student. You sign up for guitar lessons. Your teacher (who is going to be a famous performer one day, only you don’t know it because she just seems to be your friendly next-door neighbor) is passionate about social justice and currently in the throes of inspiration, discovering the music that’s going to define her life’s work. Imagine that she’s undergoing this transformation in your living room and on your front porch and in your favorite coffee shop hangout. How could this be anything other than the best of times?
And that’s why when Polly the scholar went to interview her old friend Bruce Phillips (by now 70 years old and not in the best health), he got all excited and said it was time to do a reunion concert. What could she do but graciously accept the honor of being the producer (and curse under her breath at the 18 months of solid work it took to pull it all together even with help from the Utah Arts Council Folk Arts Program and many others).
For anyone who even remotely remembers the old days, the Urban Pioneers concert on January 24 promises to be not so much historic as epic. On the program are Rosalie Sorrels, Utah Phillips, Uncle Lumpy (Hal Cannon, Tom Carter, Chris Montague), the Stormy Mountain Boys (Brent Bradford, Cary Howard, Tim Morrison, Ryan Orr, Art Hansen) , The Rosewood Trio (Mac Magleby, Peter Netka, Gloria Rowland), Barre Toelken, Bruce Cummings, Heather Stewart Dorrell, , Polly and the Valley Boys (Dave Roylance, Polly Stewart, Utah Phillips), and probably some others, too.
And what if you never listened to enough folk music to feel nostalgic for it? Well, Rosalie Sorrels says that one of the nicest compliments she ever received was from a critic who said that her music brought back memories he never even had.
Urban Pioneers: A Concert of the 1960s Folk Music Revival in Utah
Wednesday, January 24, 7:30 p.m.
Highland High School Auditorium, 2100 So. at 17th East
Information: Intermountain Acoustic Music Assn., iamaweb.org
Tickets: $15 (available at Acoustic Music; Greywhale; Intermountain Guitar & Banjo; Local Music; Orion’s Music; Salt City CDs)
Sponsors: Intermountain Acoustic Music Association, the Folklore Society of Utah, Intermountain Guitar and Banjo, Salt Lake City Arts Council, Utah Arts Council, the Utah State Historical Society, & KRCL.
Utah Phillips: utahphillips.org
Rosalie Sorrels: rosaliesorrels. com
...Read More >> |
|
|
|
|
 | New Possibilities for HealthThink and be [slim, fit, well]. You choose.
It’s January already – time to dust off last year’s resolutions to exercise more and eat better and give it another shot this time around. In fact, how many years has “getting in shape” been on your list? Or, if you don’t make formal resolutions, how long have you been meaning to eat healthier and drop a few pounds?
Statistics confirm what we see all around us: People are out of shape and not making much progress changing it. One 2004 study (by the National Health and Nutrition Examination Survey) reports roughly one-third of adults in the U.S. are at a healthy weight. That leaves up to two-thirds of us overweight or obese.
And yet we have a $50 billion industry supporting our weight loss efforts. What’s going wrong here? How could we invest so much time, energy and money into a goal without getting better results?
Our health challenges aren’t limited to issues regarding body weight. Maybe you’re telling a different story than most, in that you’re at an ideal weight with a diet that would impress any nutritionist. But perhaps some other aspect of your health is compromised. When you examine it deeper, you might find you’re tolerating poor eyesight, troubling sleep patterns, wrinkles, addiction, or some other health issue.
There are many ways to gauge health, many ways we’re lacking it, and it’s not unusual for us to take health challenges for granted. We think that’s just the way it is; it’s expected to lose a pound of muscle every year after age 30, normal for our memories to lapse as we grow older, or that we’re more susceptible to diabetes, cancer or heart attack because it runs in the family.
Stuff doesn’t happen
Here’s the fact: we have more say over our how our bodies look, feel and age than most will ever know. Even more eye-opening is the fact that not only do we have the power to create optimum health for ourselves, but that we’re also 100% responsible for what we’re already experiencing. Whether it’s five extra pounds, rheumatoid arthritis or broken bones, we invited it with our attention to it.
None of what’s going on in our bodies right now just “happened” to us. We’re not victims of our genetics, our lifestyle, or even the injury-causing accident. Nothing happens in our reality that we didn’t allow in. We create our world with our thoughts, and it’s our thoughts that led to our current circumstances.
When we realize our power to create what we want regarding our bodies and our health, any obstacle or limitation we previously believed in is eliminated. We realize nothing stands in our way to claim the health we want.
Sounds good, right? But if it’s true that we can choose our health status, why isn’t everyone achieving improved health and fitness? Is it a lack of commitment or willpower? Not enough information, resources or support systems to enforce new habits of change?
That’s what some change experts would tell us. But our lack of success in getting the fitness and health we want doesn’t have anything to do with that. Reaching our physical goals, whatever they might be, doesn’t require motivation, diet or exercise. Creating the body and health you want is yours simply by changing the way you think.
What about the evidence?
“Wait a minute!” you might say. What about all the studies and experts proving that some things just are the way they are? There’s a wealth of credible research telling us certain things are a “given,” like some cancers are fatal, fat cells don’t disappear, and five servings of vegetables are good for you.Guess what? Researchers are doing the same thing we are, creating reality with their thoughts. Anyone can prove whatever they put their mind to, which is why we get conflicting reports about how to achieve optimum health. Whatever we focus on we create. So as I look for proof that SlimFast is effective for weight loss, I’ll find it. As I look for proof that it’s ineffective, I’ll find that too.
Instead of letting someone else dictate what will be for you, how about choosing for yourself?
The power of belief
As you repeat a thought over and over, you eventually create a belief. That’s where our beliefs come from; they originate as new thoughts which we repeat often enough to attract evidence of their “truth” and voila – a belief is born!
So if I believe I have a sweet tooth that my willpower cannot overcome, and I also believe high intake of sugar leads to weight gain, I’ve just set myself up for joining the two-thirds of the overweight population.
If I believe my three aunts’ and grandmother’s experience of breast cancer puts me at high risk for it, then I surely hope I also believe in a cure for it. Because my thoughts and beliefs are creating my experience.
The real secret is that health and fitness has little to do with the diet, exercise or medical care and much to do with our thoughts about the diet, exercise and medical care. Understanding this simple truth is not only liberating, but also allows many of us our first real chance at success in getting the bodies we want.
This realization isn’t easy for many to accept, but what’s possible for someone who does? What’s possible for someone who is willing to believe their thoughts create their world and deliberately chooses thoughts and beliefs that serve them?
Everything!
Everything is possible when we realize our thoughts are choices and that thoughts create reality. Our body responds not so much to external inputs as to the internal ones; the commands we give by our thoughts. Until our thoughts change, our body is as stuck as our self-image (our thoughts about ourself).
All in your head
So if the trick to optimum health isn’t following the right diet and exercise program, what is it about? What does it mean that our thoughts and beliefs dictate our experience of health?
For starters, it means you are not a victim of your genetics, your age, your doctor’s diagnosis, your disinclination toward exercise or your spouse’s cooking. It means 30 minutes on the treadmill only serves you if you believe it will. It means you’re wasting time counting calories if you haven’t changed the way you think about yourself.
You alone are responsible for the state of your health. Your body and mind are not destined to deteriorate as you age. You can recover from whatever illnesses or injuries you’ve experienced to the extent you’re willing to believe it possible.
The challenge for most people is releasing a belief system that’s been in place for decades and continues to perpetuate itself daily. With trainers, nutritionists, doctors, and other experts telling us the complete opposite, it can be difficult to embrace our personal power to enhance health and fitness primarily by the way we think about ourselves.
Releasing false beliefs about what’s ultimately possible for our health as well as what’s required to achieve it is easier said than done.
New possibilities for health
The challenge then—or rather, the opportunity—is to embrace new beliefs that support what you want, or at the minimum to work with existing beliefs in a way that allows you to achieve desired results.
For example, if my goal is to lose 25 pounds before swimsuit season arrives, I would do well to check in on what my thoughts and beliefs about this possibility are. Say I’ve set this same goal for the past five seasons, and every year is the same story—nothing changes. What have I believed about myself, my weight, and my habits that sabotage this effort?
What could I believe instead that would support real change this time? Since beliefs come from repeated thoughts, adopting new beliefs is as simple as choosing new thoughts and giving life to them instead of the old ones.
Rather than thinking of myself as someone who has tried many times and failed, or someone who has a weakness for sweets, or as someone who has a schedule that doesn’t allow for the self-care (one believes is) required to succeed—or any other story that doesn’t align with positive results—I could think of myself as someone who has learned a lot about what works and what doesn’t. I could think of myself as someone who perseveres, and is committed to looking fabulous on the boat this summer.
Instead of believing I’m an uncommitted failure, I could believe I’m a slow but sure winner. As I hold new thoughts about myself and my actions, I set myself up for success—which is all that’s stood in my way in the past.
This doesn’t necessarily mean we can give up exercise routines and live on chocolate éclairs the rest of our lives. If you believe exercise is required in order to be physically fit and that sweets are from the devil, your actions had better be in alignment with those beliefs in order to get results you want.
Know that your beliefs are a choice, though. There are no “givens” out there; we’re creating “truth” and reality with our attention to it. Bottom line is our thoughts and beliefs create our world.
A better resolution
This New Year instead of blindly vowing to exercise regularly or eat more veggies, check in on the beliefs you hold about yourself and what’s possible. If you find one or two that don’t serve you—like that it’s inevitable you gain weight with age, or that too much sun causes skin cancer, or even that you hate exercising—consider releasing these beliefs.
If you’re not successful in releasing a limiting thought pattern, at least become aware of it so you can work with it rather than against it. For example, if you believe you require eight hours of sleep to function, set yourself up to get eight hours. Sometimes respecting the belief is easier than changing it.
The fact is we can prove any “truth” by simply focusing on it and giving attention to it. Be mindful of where your attention goes, and ensure it’s headed in a direction that serves you. Hear what you’re saying to your body, and give it deliberate instructions aligned with what you want for yourself.
Instead of saying “I am so tired,” give your body a command that supports what you want. Maybe “I am doing really well, considering” or “I am looking forward to a break.” Instead of “I hate these hips,” say “I look fabulous!” And, eventually, with repetition, you will see your fabulous self.
When we are willing to believe more is possible for us, and that it’s easier than ever to achieve it, the Universe and the world around us conforms to those thoughts and beliefs.
Once we’re operating with a belief system that supports unlimited natural physical fitness and health, anything is possible for us and our bodies. So here’s a new year’s toast to ageless living and hot bodies on the beach!
Jeannette Maw is an Attraction Coach and founder of Good Vibe Coaching in Salt Lake City.
...Read More >> |
|
|
|
|
 | The Plumed Serpent Returns: An Interview with Daniel PinchbeckDaniel Pinchbeck caught our attention a few years ago with Breaking Open the Head. His new book, 2012: The Return of Quetzaquatl is a dense but rewarding read.
“There are more things in Heaven and earth, Horatio, Than are dreamt of in your philosophy.”
—Shakespeare, Hamlet, Act I
Daniel Pinchbeck’s most recent book, “2012, The Return of Quetzalcoatl,” is a vivid personal journey through inner space, replete with psychedelic visions and thoughtful insights. It includes forays into the alien abduction phenomenon, English crop circles, the Mayan Calendar, Quetzalcoatl, Burning Man, South American shamanism and a brief discourse on the failures of monogamy. Scattered throughout this diverse terrain are references to a long list of pundits and intellectual luminaries, including Friedrich Nietzsche, Carl Jung, Rudolf Steiner, Jean Gebser, Pierre Teilhard de Chardin, Rupert Sheldrake, Herbert Marcuse, José Arguelles and many others.
Although his subjects cover a lot of territory, Pinchbeck uses personal narrative and philosophical commentary to bring it all together into a coherent whole. He approaches his material seriously, with keen interest and a skeptical but open attitude. Pinchbeck’s interests and psychedelic explorations echo those of Terrence McKenna, but he has a more literary writing style. He seems to have a talent for pulling together complex material.
2012 was published in May 2006 and is currently in its sixth printing with 28,000 copies now in print. Although they realized that the current notoriety of the year 2012 in some circles was a good marketing ploy, both Pinchbeck and the publisher are pleasantly surprised at how well the book has been selling.
Pinchbeck spent a busy three-day weekend in Salt Lake City just before Thanksgiving last year. He met with me to talk about his ideas and plans for the future.
His first book, “Breaking Open the Head: A Psychedelic Journey into the Heart of Contemporary Shamanism,” (now out in paper) was published in 2002. Pinchbeck has written for The New York Times Magazine, Esquire, Wired, The Village Voice, LA Weekly, ArtForum, and many other publications. He lives in New York City, where he grew up as the only child of an artist father and a writer mother.
Both of Pinchbeck’s books deal with subject matter that tends to be shunned, dismissed or snickered at by mainstream culture, but he says his choice of subjects is determined by what resonates with him. Queztalcoatl represents “the union of spirit and matter.” He proposes that the completion of the Great Cycle of the Mayan calendar and Queztalcoatl’s return, due to take place in 2012, are archetypes. “Their underlying meaning points toward a shift in the nature of the psyche” he says. “If this theory is correct, the transformation of our consciousness will lead to the rapid creation, development and dissemination of new institutions and social structures, corresponding to our new level of mind. From the limits of our current chaotic and uneasy circumstances, this process may well resemble an advance toward a harmonic, perhaps even utopian, situation of the Earth.”
Pinchbeck wears a silver pendant shaped like a fractal of the Mandelbrot set—the same spiral pattern that’s embossed onto the green cover jacket of “2012.” The Mandelbrot set, which was spawned by chaos mathematical theory, is an excellent symbol of our intimately connected and interrelated reality and looks very much like a feathered serpent.
In “2012,” he explains how he became alienated and dissatisfied with his life in twenty-first century Manhattan.
When I was young, I looked forward to a future as a writer and editor in an essentially stable culture that, despite change, would endure long past my life. Literature and art seemed, in themselves, of enduring value…. Like most people, I accepted the concrete solidity of modern civilization and believed its institutions would remain in place. I no longer have that perspective. Mulling over the facts, considering our situation over time, I concluded, sadly, that our current civilization is not a machine built to last.
Pinchbeck goes on to say that he “never expected to be fascinated by visions and dreams and synchronicities." Since becoming interested and involved in all the facets of his studies, he often felt “compelled or fated—perhaps tragically misguided”—to draw together ideas from such apparently diverse realms as Jungian psychology and quantum paradox, and “such seemingly outré subjects as crop circles, alien abductions, Amazonian shamanism and the end of time.” One of the charms of Pinchbeck’s writing is his ready willingness to admit to some humility and uncertainty about the material he’s exploring.
In person, Pinchbeck is calm and unassuming. He exudes a clear confidence in his vision of the world, which he explains in the introduction to “2012.”
This book advances a radical theory: that human consciousness is rapidly transitioning to a new state, a new intensity of awareness that will manifest as a different understanding, a transformed realization, of time and space and self. By this thesis, the transition is already under way—though largely subliminally—and will become increasingly evident as we approach the year 2012.
He believes the ever-increasing development of technology and the ecological devastation we are continuing to create are material manifestations of a “psycho-spiritual process taking place on a planetary scale.” Human beings have unconsciously created the crisis we now have to deal with to “force our own accelerated transformation” into more spiritually advanced beings.
Pinchbeck’s is just one voice in a growing chorus trying to draw our attention to the dire straits in which we now find ourselves as fragile humans living on a planet far too large and dynamic to be completely within our control. The majority of people in the world and, perhaps particularly in the U.S., continue with their lives as though nothing unusual is happening. They expect to go on living in “an essentially stable culture that, despite change, will endure.” Conditions as vast and global as worldwide climate change and ecological destruction are too big and abstract for most people to relate to in any meaningful way.
Interestingly, several different thinkers coming at the topic from various angles arrive at the same conclusion regarding the time frame. For example, Ervin Laszlo’s recent book, “Chaos Point—World at the Crossroads,” written in 2005 and published in 2006, is subtitled “Seven Years to Avoid Global Collapse and Promote Worldwide Renewal.” Laszlo is a systems scientist and philosopher with impeccable academic credentials. I’m pretty sure he didn’t arrive at the date 2012 based on any predictions from the Mayan calendar.
Two approaches to higher consciousness
Pinchbeck sees two main currents active in contemporary Western metaphysical thinking today. One is the Buddhist/Eastern religious approach of people like Ken Wilber, Andrew Cohen and Pema Codron. Wilber, for example, prefers to emphasize traits versus states. He feels that psychedelics may put people into enlightening nonordinary states, but these voyages to different states don’t produce permanent traits. Pinchbeck differs on this point. “I think he underestimates how psychedelics used ceremonially can help move people from states to traits. This trait-focused approach tends to lack an orientation to the subtle or spirit realms. Even Tibetan Buddhism, which is the more shamanic form of Buddhism, tends to dismiss the use of psychedelic substances, although, the Bardo realms of Tibetan Buddhism would qualify as subtle levels.” The other main current is the shamanic approach, which sanctions the ceremonial use of psychoactive substances and is more in touch with subtle realms. Pinchbeck admits that he has a clear preference for the shamanic. “It has been my path. I don’t necessarily suggest that it’s best for everyone.”
Shamanism and psychedelics
“Many people are wary of shamanism because it is closely linked to sorcery. Psychedelics tend to accentuate whatever is. It’s possible to stumble into some very dark places.” For an excellent discussion of some of the more challenging aspects of psychedelic exploration, Pinchbeck recommends reading Christopher Bache's book, “Dark Night, Early Dawn.”
In “2012,” Pinchbeck says most people in our culture reject the use of psychedelics and consider non-ordinary states and other psychic phenomena to be either nonexistent or meaningless. He writes that the impulse to preserve the materialist worldview and its system of values tends to reinforce a willful ignorance towards anything that threatens the underpinnings of a culture obsessed with acquiring wealth, goods, and status. He ultimately determined that he could no longer operate on assumptions and go along with values the he increasingly suspected to be false even if such a decision meant that he would be isolated from mainstream culture.
How can people mitigate the psychological risk of using psychedelics?
“The risk can be reduced by using proper containers, such as the Santo Daime or the Native American Church, something with a lineage.” Pinchbeck tells about his experience with the Santo Daime in the book. The religion uses ayahuasca ceremonies as a key element of practice. But Pinchbeck feels that “the alternative community is becoming more aware and more sophisticated about the use and misuse of psychedelics. We can create our own containers.”
Intention
Intention is receiving a great deal of attention of late in many books and in recent films such as “What the Bleep Do We Know” and “The Secret.” In the book, Pinchbeck quotes physicist J.A. Wheeler. “Participant is the incontrovertible new concept given by quantum mechanics.” Pinchbeck goes on, “That consciousness is embedded in the processes it perceives, continually changing them while it is changed by them, was an insight conveyed to me, and many others, during psychedelic trips.”
I asked Pinchbeck to expand on this idea.
“Through the activity of our consciousness, we shape the reality we encounter. We find corroboration of our ideas in the world around us. It seems to me that intention is becoming more powerful recently. Lots of people seem to be experiencing this.”
Time-Freedom and Sex
Pinchbeck also deals with the Western world’s spatially based view of time. We tend to see time as being like space. We say we don’t have “enough” time, it takes a “long” time, and we need to “save” time. All spatial concepts! Much of the exposition of this spatial view of time comes from German philosopher Jean Gebser (1905-1973). His magnum opus, “The Ever-Present Origin,” was translated into English in 1985.
Gebser argues that our current structure of consciousness began with the Greeks, reached its full flowering with the Renaissance and the discovery of perspective, and has since entered its “deficient” or decadent phase. During this period, mental-rational humanity became not only obsessed with space, but possessed by space—by the possibilities that developed from our increasing ability to transform matter and shape physical reality. We learned to see ourselves, for the first time, embedded in—and simultaneously alienated from—the threedimensions surrounding us.
He prophesied a shift from mental and conceptual thought—the ingrained metaphysics of materialism—to a multidimensional realization, a translucent awareness, not denying this reality but taking into account the spaceless and timeless origin, Jungian pleroma or aboriginal dreamtime, in which the fractal finite reflected the unfolding infinite. “Time-freedom is the conscious form of archaic, original pre-temporality,” Gebser wrote. One of the primary results of psychedelic experience is an altered experience of time that comes close to what Gebser refers to as “time-freedom.”
“Are there any experiences other than psychedelic drugs that do that?” I asked Pinchbeck.
“In ordinary reality, orgasm represents a timeless moment. This is the only experience that makes time-freedom available for most people. It is the most ordinary way to non-ordinary states. That is why sex has become so obsessive and degraded in today’s world. It is spiritual desire made diabolical.”
In the book, Pinchbeck laments what he sees as the problematic nature of monogamy. I asked him if he thinks monogamy is wrong for everyone. “Not everyone,” he replied.
“One aspect of my next book will be on tantra. Tantra practitioners learn to elongate the orgasmic state, providing a window into another consciousness. Our culture’s emphasis on sex for procreation is the lower path. Self-creation is the higher path. Most of our population problem is due to the lower-level uses of sexuality. I’m interested in seeing our culture move toward less restriction and more discipline. There are a variety of sexual behaviors. Few people are the same. Insisting on monogamy means that many people are not living in integrity.”
On Burning Man
In the book, Pinchbeck indicated that he was becoming rather disappointed with Burning Man.
“You accused participants of having deteriorated into detached hedonists with ‘grotesque and unearned spiritual pretensions,’ and you referred to the energy as ‘adolescent and stagnant.’ And yet you went back again this year. Why was that?” I asked.
“It is kind of a fulcrum for consciousness and conscious evolution,” he said, adding that this turned out to be his best burn ever. “The fact that I liked it again after being disillusioned earlier is just typical of the cycle of developing relationships.”
Features of a new, more viable system
I asked Pinchbeck what he saw as the primary characteristics of a more advanced society. He mentioned four major features.
Integrity. “Integrity is a fundamental value in a new system. Psychedelic experiences can help you understand the importance of acting openly and honestly.”
Discrimination. “In the Kabbalah each sephirah is a level of attainment in knowledge. On earth, discrimination, or judgment, is what we need to gain. Today, we are overloaded with information and noise distraction. Each person needs to find the keys to his own transformation. It’s important not to be attached to one’s own identity or worldview and, therefore, be closed to new information.”
Present awareness. “Focus on the now, not on the past or the future.”
Empathy/compassion. “We all have the ability to make a difference. Most organizations and media are designed to maintain control. There is a distinction between control and mastery. Mastery is the surrender to the reality of the situation.”
EVO
Pinchbeck thinks it’s a good idea to use the power and organizational abilities of corporations to help move society in a more sustainable direction.
EVO (www.evo.net) is Pinchbeck’s new business venture. He and his partners have been working on it for nearly two years and will be launching this spring. EVO uses a rating system called the EVO Index to rate various companies on such factors as energy use and pay differential between workers and management.
Members of EVO receive exclusive benefits and discounts on goods and services from companies with good ratings on the EVO Index. One purpose is to connect you to companies with the most environmentally and ethically sound goods and services—as well as to other people who share your vision. Check the website for more details.
Pinchbeck says, “It is important to keep the EVO company culture in harmony with our goals—to have a healthy work culture and aim for balance. We want to gear work to individual preferences, and working 4-6 hours a day is more efficient than putting in a lot more hours with diminishing results.”
Technology
Pinchbeck believes that technology is a manifestation of whatever psycho-spiritual process humanity is undergoing. It expresses our current level of consciousness. “Technologies are thought forms given material existence.” He held up his Blackberry. “Ten years ago, who would have thought we’d have something like this?” I recalled something my former boss said over 20 years ago: “Every time you turn around, it seems like there’s less material and more magic.”
Pinchbeck agrees with José Arguelles that after 2012 we will become “post-technological.” We may move to a level of consciousness where we can communicate and act directly (mindfully), without the need for technological intermediaries. “Things are in process. You can’t use a tool until you see it, then you find many ways to use it. A talented group of people working together could turn around our disastrous situation in a month.”
“A month,” I said? “Do you really believe that?”
“Well, okay—maybe, six months. We are currently using resources so irrationally. Committed people working together could allocate resources much more rationally by using the kinds of ideas developed by Buckminster Fuller, for example.”
Infectiousness of new consciousness
“The dynamic of change kicks in when the dominant structure becomes detached from lived experience,” Pinchbeck says. “When this detachment reaches a certain point, it will no longer be viable. It’s an entropic process. It’s important that we don’t give in to a kind of collective death wish about our ultimate fate on the planet. Those who pay the most attention can act more effectively. Not many people will become very discriminating, but if enough people do, new ideas will spread. The initially ‘elite’ values will start to be mirrored in the masses.”
Pinchbeck is remarkably optimistic about our chances of surviving, and even thriving, assuming that we can move quickly to a new level of consciousness regarding who we are and where we might be headed.
Diane Wilde is a freelance writer and lives in Salt Lake City.
...Read More >> |
|
|
|