 | Mormons and Muslims: This Is the PlaceThey were seeking refuge, rest and a new home. Persecution and atrocities left behind, they settled here in the Salt Lake Valley after long, trial-filled journeys. How could this group of Mormon pioneers have known that their final stop in 1847 would make it possible for another group of people, so different from them, to share the same story more than 100 years later?
Stephanie Carter
By 1999, after two international wars-one with Iran, the other with the United States-and nearly a decade of sanctions, Iraqis were left destitute. That same year, American and British forces began weekly, sometimes daily, air strikes on the country in an attempt to weaken what seemed to be the iron grip of Saddam Hussein. It was also the same year Thikra Mohammed and her husband decided it was time for their young family to leave their home and native country.
"We did not feel we were free," Thikra recounts."We could not talk. There was a lot of interruption and interference with our jobs as doctors. The situation got worse and worse in every aspect of life."
The couple, along with their infant daughter, left for Yemen.
"It was very tough and hard, difficult to explain to our families - leaving Iraq, leaving our profession....We don't know where we are heading. So it is very difficult situation, but we thought about our kids and their future," Thikra explains.
Yemen, a country struggling with its own internal conflicts, was little improvement over the family's situation in Iraq. The family moved again, this time to Jordan. There they were registered as refugees with the United Nations and told they were being relocated to another desert region, the state of Utah.
"Some people in the American Embassy in Jordan, they just gave us some advice, some information about the people in Utah. They say,'They are kind of religious.' We just felt comfortable with that." Though Thikra says she was wary of the term Mormon. She had no idea what it meant, what it entailed. "We said that's fine, maybe later, if we don't like it we can change state. We can move to another state. But when we arrived here we just felt it was very nice and it is convenient for us as a family."
Mustafa, another Iraqi refugee who also fled the rule of Saddam, likened living under the dictator to an abusive husband. "He takes away all feeling of safety in the home, the most important place. The place you should always feel safe. That is what Saddam did. He took away safety in my country, my home."
In 1997, Mustafa left Iraq and came to Utah at the encouraging recommendation of a friend. He's now passing along the advice.
"I think Utah is nice," he says. "I visit many states where Muslims are living. They think that it's the best place for them, but my recommendation is to come to Utah. It's a good place to raise children. You can protect them. Because it is a conservative state, you can shelter them from certain things."
Conservative is an understatement to some. The predominantly Republican state is also home to the headquarters of The Churchof Jesus Christ of Latter-day Saints. In 2004, an official estimate counted a little over 60% of Utah's population as members of the Church.
Though they are not minarets, the steeples of Mormon churches and temples that pierce Utah's skyline are evidence of the state's religious atmosphere, something many Muslims find appealing.
"They focus on religion, like attending churches, mosque like us." Thikra emphasizes, "This is very important inlife."
The Mormon majority in Utah have created a state that reflects the religion in both laws and culture. It's a phenomenon central to the complaints of the non-Mormon residents of the state, but as Muslims, Thikra, Mustafa and many other Iraqis share common religious restrictions and morals with Mormons.
Both Islam and Mormonism encourage their followers to abstain from alcohol, drugs and gambling. "I'd rather have a Mormon neighbor," says Khalid Al-Hamed, an Iraqi refugee from the province of Basra. "They don't drink. They don't smoke. You feel the same."
There is a strong emphasis on family, a value apparent in both church and day-to-day activities of both religions. The LDS church has established Welfare Square near downtown Salt Lake, an area dedicated solely to helping those in need. In Islam, charity is one of the five religious pillars of the faith.
It may seem an odd comparison to some, but to Daniel Peterson, a member of the LDS church and a professor of Islamic Studies and Arabic at Brigham Young University in Provo, it's a phenomenon he's observed for years.
"There is a large theological difference, of course, but not quite so far apart as people may guess. Theologically we speak the same language," Peterson says.
Peterson also says he's not surprised to hear that Muslims in Utah are finding the "moral climate" in Utah to their liking. It's a sentiment he hears echoed from his own Muslim friends and acquaintances. He says quite often, diplomats from Muslim countries visiting BYU are pleased to find an American university that has not become as liberal as most. Because the University has a strict honor code and requires its Mormon students to closely follow LDS standards, diplomats often send their children to the campus. "They can receive an American education in an atmosphere that more closely resembles the one in which their parents were educated back in the '50s or '60s," Peterson explains.
Internationally, the Church of Jesus Christ of Latter-day Saints donates more money to Islamic Relief Worldwide than any other church. The LDS church donated $1.6 million in aid to tsunami victims; Peterson says itis easier for the church to donate to an established charity with ties and links to a community that would be hard for a Christian church in a Muslim country to establish.
This tie fueled fire behind a Boston Globe article earlier this year alleging that former Republican presidential candidate Mitt Romney was a member of a church that funded terrorism. The article alleged some of the money donated was diverted to the Palestinian militant group Hamas. According to an official statement addressing the article from the church's website, "All donations from the Church to Islamic Relief Worldwide have been in the form of relief items such as clothing, quilts, disposable diapers, infant formula, wheelchairs, washcloths, soap and first aid supplies. In each case, representatives of the Church accompanied the shipments and oversaw distribution."
The LDS church is also established in the Middle East.Though they are forbidden to proselytize, there are members in Jordan, Egypt, Saudi Arabia, Lebanon and Syria. "We do not actively seek out or target Muslim converts," Peterson says, though it is an ongoing discussion within the church. "We're there to build relationships and friendships," he continues. "We certainly won't deny that."
Nationally, bridges are also being built. Peterson is traveling to Claremont University in Southern California to speak at a Muslim-Mormon dialogue to address the on-going and future relationship between the two religions.
Here in Utah, the LDS church, as it has done with numerous other religions, offered to donate money to help Muslims build a mosque in the Salt Lake Valley. Peterson says the offer was declined.
Peterson also believes many Mormons may not be aware that their conservative atmosphere is benefiting others, especially their Muslim neighbors. The appreciation and recognition may also encourage more Mormons to make more of an effort learn about Islam.
"There is a lot of ignorance, but there a lot of interest in learning more. There is a hunger to understand," Peterson says.
A home and a place to worship
Before the service begins, there are warm greetings and inquiries of health and well-being, how children are doing in school, what solutions one can offer to another's problem, general gossip. Everyone knows everyone else. Even when services start, children and babies continue to play happily, surrounded by friends and family. In this congregation, a child has not just one, but many, mothers.
It's a scene many Latter-day Saints could relate to. However, it's not Mormons, but Muslims, who are worshipping tonight.
A table is laid with numerous dishes of rice, stews and breads, dishes as familiar and traditional as green Jell-o and funeral potatoes are to Mormons, in preparation for a meal before the service.
Now the sheik will speak. Tonight, his sermon is about the media and the sometimes harmful stereotypes of Muslims that are often portrayed. "We should know what the American people think...," he continues, "this is one way to help understand, and therefore, prevent potential prejudices."
It's just one of the ongoing struggles Iraqi refugees are facing. Another is citizenship.
Most are permanent residents, official refugees. They've taken their naturalization tests, passed, but citizenship still eludes them.The majority of Iraqis living in Utah were here before the 9-11 attacks. After that, however, the process slowed to a standstill. Many have taken their cases to court with the help of lawyers working for Catholic Community Services.
"Even after 10 years of living here, paying taxes and abiding by the law," says Mustafa who is still fighting for his citizenship.Thikra took her naturalization test in April 2005 and still waits for citizenship. "We have everything documented here," she says,"The government brought us here as legal refugees. We are permanent residents now. It's just a matter of processing."
For Thikra, the pursuit of citizenship may force her to leave Utah. "If I apply for residency, I have to apply in different states. If I get any chance or opportunity in another state, I have to move. But I really love this state." If that is the case, Thikra is adamant about coming back. "Maybe if I finish residency, which is four years in a different state, I can move back again and work here as a doctor."
Still looking for refuge
Nearly every Iraqi in Utah, and the rest of the nation, has family still living in the war-torn country.
Mustafa went back to see his family in Karabala, a city that has made its fair share of headlines for violent clashes and bombings. He tells of limited electricity, rising gas prices, the way life has slowed to an excruciatingly slow pace. "I saw my country and I'm not optimistic about it," he shakes his head. "A term you hear repeatedly is 'democracy,' and we've seen that 'democracy' comes with a price."
Thikra and her husband lost numerous relatives in the violence that erupted after the fall of Saddam. "In the beginning it was hopeful, but now it is hopeless." Her voice waivers and she struggles to control her emotions as she talks of the despair and helplessness she feels knowing that her loved ones are suffering. "Every time I call my family they say, 'We just have one wish in our life, to see you before we die, because we don't know what may happen.' It is very hard," she continues."They wish now they could leave Iraq."
And many do.
This month is the fifth anniversary of America's 2003 invasion of Iraq. Backlash from the conflict has spilled outside Iraq's borders into neighboring countries. There is a growing concern over the crisis brewing in countries like Syria, Egypt, and Jordan around the 2.5 million Iraqi refugees who have fled the ongoing violence in their homeland. Not since the displacement of the Palestinian people with the creation of Israel in 1948 has there been a refugee crisis this large in the Middle East.
Syria, after taking in one million Iraqi refugees, has effectively closed its borders, overwhelmed by the continuous flow. Jordan admitted more than 700,000 of the refugees before shutting down its border crossings. Egypt has taken in 100,000. The United States initially set a goal to allow 7,000 refugees into American borders over the last 12 months. The Bush Administration then lowered the goal to 2,000. As of the end of 2007, 1,608 Iraqis have been resettled in America.
The growing strain the refugees are creating in the Middle East is one America cannot afford to ignore. Not only is the reresentment from Iraqis, who risked their lives to help the U.S. in exchange for visas, but citizens of other Middle Eastern countries are now competing with the refugees for jobs and aid money.
Sooner or later, the U.S. will have to recognize that taking in a mere 2,000 of more than 2.5 million is not enough. As yet another group faces the struggles and hardships of making a home in a foreign land, the Salt Lake Valley, and other Mormon communities throughout the nation may prove helpful in the transition.
"I think Mormons and Muslims can become a model of how Muslim-Christian relations can work," Peterson says. "The best kinds of relationships are built by neighbors, having people over to dinner. Mormons tend to be good at that. It could be a model for a lot of people."
Stephanie Carter is a recent graduate of the University of Utah with a BA in communications and a minor in Middle Eastern Studies. Last summer she lived and blogged in Cairo. Her experiences with the LDS Church in the Middle East inspired this article.
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 | Eating Locally for BeginnersThe locavore trend doesn't mean giving up good food, it just means discovering the good food being produced in your neighborhood, and even in your own backyard. Emily looks at Slow Food Utah, farmers markets, CSAs and home and community gardening. by Emily Aplin As a child of a casserole family, where most mealscontained only store-bought canned vegetables and a can of gelatinouscream-of-something soup, my understanding of where food comes from was limited,to say the least. Over the last few years there seems to have been a shiftin the way many people think about the food they eat. A growing trend, locallyand nationally, encourages people to consider their roles as consumers in thefood market. They're calling themselves "locavores" and their aim isto buy food that is grown and produced locally whenever possible. The reasonsfor becoming a locavore are as varied as they are for becoming a vegetarian.For some, the environmental impact of buying food that has traveled inrefrigerated vehicles from halfway around the world is reason enough. Forothers, it's about supporting local farmers and investing in their localeconomies. For me, it's about getting back to basics. My first visit to the Downtown Farmers' Market four yearsago marked the beginning of a revolution for me. As I wandered around thevendors' booths on that sunny July day looking for fresh fruits, such aspeaches and raspberries, I was baffled. I approached one of the vendors andasked when there might be peaches at the market. He responded with a kind smileand said, "Not until August or September." It didn't make any sense. If I wanted peaches orraspberries right now, I could go to any grocery store and find them-even inFebruary. The store always has every fruit and vegetable, so why didn't theFarmers' Market? The answer, which is so simple I'm embarrassed to say it,is that food growers are bound by the seasons of the climate they are growingin. It had not occurred to me until that day at the Farmers' Market that if Iwas buying peaches in February, they had traveled from some exotic locale,thousands of miles from Utah. When I went home and faced the bananas sitting onmy counter, I felt the disconnect that comes from not knowing what you areeating or how it came to be in your kitchen. As the locavore trend grows, communities across thecountry are starting "Eat Local" Challenges, which encourageparticipants to commit to eating only locally produced foods for a specifiedlength of time. In Salt Lake City, Andrea and Mike Heidinger completed theirfirst 30-day challenge in October 2007. They said they were amazed at howquickly word spread about the challenge and how many people actually joinedthem. The parameters were flexible and participants committed to eating locallygrown food (within 250 miles) for as short as one day to an entire month. TheHeidingers and other participants detailed their experiences on a blog, oftenoffering advice on where to find hard-to-find items. In order to complete their challenge, participants reliedon a variety of resources including local farmers' markets and communitysupported agriculture (CSA) programs. Some actually produced their own fruitsand vegetables. Complete commitment to the challenge required giving up somefoods altogether. Rice, coffee, black pepper and cinnamon were among the foodsthat the Heidingers said they missed most. According to Andrea, however, thechallenge helped them discover honey as a substitute for sugar, and theyhaven't gone back to using refined sugar since. For the Heidingers, eating locally is about supportinglocal farmers. As Andrea explained, "Anything we can do to preserve thelocal farms is cool. Some of them have been around for generations and they'reall struggling, always on the edge of going out of business." Christi Paulson of Slow Food Utah agrees with theHeidingers about supporting local farmers, and said she believes educatingchildren about agriculture is a good start. Slow Food promotes organic,sustainable food growing and buying practices and educates the public about thebenefits of those practices. According to Paulson, there has been an increasein membership in the last threeyears and more significantly, a drastic increase in the number of people whoknow about Slow Food and what it does. Eating locally is more than a trend, though. Becoming alocavore requires more than just passing up Starbucks for a local coffee shop.It requires a shift in thinking. Perhaps you're not ready to give up eatingiceberg lettuce in January just yet, and neither am I. For those of us tryingto find a balance between enjoying the foods we love and supporting localbusiness, there are many small steps that can make a big difference to localfood growers. Meet new people According to Christi Paulson, Slow Food Utah used to be asmall group of middle-aged food enthusiasts who gathered four times each yearto enjoy a dinner made from local, organic food. In 2004, when Paulson wasasked to lead the group, Slow Food began reaching out to the community throughprograms like the schoolyard garden at Riley Elementary, where Paulson teaches.Among other things, Paulson has transformed Slow Food Utah from what shecharacterized as a "supper club" into a more community-basedorganization that welcomes everyone. Slow Food Utah often maintains a booth atthe Downtown Farmers' Market, offering flyers and brochures that explain SlowFood's core beliefs, which Paulson explains as, "good, clean, fairfood." Paulson says she is particularly proud of the schooloutreach programs that Slow Food is involved with. "Kids generally don'tknow where their food comes from. They just think it comes straight from thegrocery store. And just seeing their faces when they're digging in the dirt andthey're seeing what happens when they plant a seed and it grows....," shesaid. "And it's good for their health. Kids don't eat enough fruits and vegetables, but if theygrow it, they'll eat it." In addition to teaching kids where food comes from,Paulson sees the school garden as a recruiting tool. She is cultivating thegardeners, and maybe even farmers, of tomorrow. Members of Slow Food meet monthly and the group holdsinformal potluck dinners regularly, open to others interested in joining. Visitthe Slow Food Utah Web site (www.slowfoodutah.org) for upcoming events andother helpful information about eating local in Utah. Shop local Farmers' markets are a great introduction tounderstanding where your food comes from. Each week at the markets, growerssell their farm-fresh produce and answer questions about their growingpractices. During the season (June through October) the variety of produceavailable will change with the weather. In the early months, fresh produce ismostly leafy greens, peas and beans. Each week the offerings expand and change. There are dozens of farmers' markets throughout Utah,from Logan to St. George. To find one near you, visit www.utahsown.utah.gov/FarmersMarkets.htm. Besides the mainly fruit and vegetable options availableat local farmers' markets, several local dairies and ranches throughout Utahprovide milk, cheese and meat. Beehive Cheese Co. in Uinta makes its cheesefrom milk from a local dairy, Rockhill Creamery in Richmond has its owngrassfed cows, and you can find their products in grocery stores along theWasatch Front. Local meat producers like the G Bar Ranch and Morgan Valley Lamboffer all-natural, chemical-free, Utah-raised beef and lamb and can be foundonline and in stores specializing in local food. Local First Utah is a helpful resource to find localfood. On the website (www.localfirst.org) you'll find a business directory oflocal businesses. Local First promotes all kinds of local businesses in aneffort to support small businesses and local economies. In addition to alisting of local food retailers and producers, the site also lists restaurantsthat serve locally grown food. Help a farmer Community Supported Agriculture (CSA) is another way toget some face-to-face interaction with the people who grow your food. Unlikefarmers' markets, where customers can shop for specific items each week just asthey would at the grocery store, Community Supported Agriculture requires aseason-long commitment. With CSAs, customers buy a share of a grower's cropbefore the crops have been harvested, and then fresh produce is deliveredweekly to various pick-up points. Several farms along the Wasatch front offerCSA programs. The programs vary in price, as well as the selection of producethey offer. Christi Paulson said she has been involved with her CSAfor five years. She said she enjoys the variety of produce and the interactionwith the grower that she gets from it. "Usually you have to try thingsyou've never had before," she said. "And you know where your foodcame from, you know that farmer. Youcan trust that person." Buying produce from a CSA can be unpredictable becauseyou don't know what fruits and vegetables you'll be getting from week to week,and sometimes you may get vegetables you've never eaten and aren't sure how toprepare. Many of the CSA programs offer recipes and serving suggestions alongwith the weekly boxes of food, but eating produce in season can sometimes get alittle tedious. As Paulson explains, "In the fall I can't wait forthe winter squash. By January, I feel like if I have to look at another wintersquash, I'm going to die." During the summer months, many CSA participantsstart to feel the same way about tomatoes, which most CSAs have in abundance.Ranui Farms specializes in leafy greens, so their customers always get greens.But other products change over the course of the season. In the summer,customers are likely to get tomatoes and zucchini, and in the fall deliverieswill include more root vegetables like potatoes and beets. John Garofalo, owner of the biodynamically run RanuiFarms near Coalville, said their CSA program gets him through the early spring."Typically growers around here spend a fair amount of money in late winterand early spring to get the operations up and running; but a lot of times we don'thave sellable crops until late May to early June," he explains. "CSAsmean we don't have to borrow money." Among the five CSAs operating along the Wasatch Front,prices for a two-person weekly allotment over the roughly five-month seasoncareen from $175 for the season to $736. Most of these CSAs are full for 2008;you can put your name on a waiting list for 2009, however. The Slow Food Web site has a comprehensive list of theCSA programs in Utah that details the cost and variety of produce offered fromeach one: www.slowfoodutah.org. Grow it yourself For fresh produce, you can't beat a backyard garden (orfront yard, for that matter). Of course, growing a garden has a learning curve,and most new gardeners chalk their first season up to experience. Starting agarden requires research, a few resources-and courage, faith and follow-up. Home gardens are convenient and under complete control ofthe gardener, so there can never be any questions about whether the tomatoesreally are organic. If you grow them from seeds, you know everything yourplants have been exposed to. You also get the convenience of pulling freshherbs from the garden to throw in the spaghetti sauce cooking on the stove. For those of us who may not have space to plant a gardenin, or who don't know the first thing about planting squash, there's stillhope. Thanks in part to the growing focus on eating locally, dozens ofcommunity gardens have sprouted up along the Wasatch Front in the last 10years. In Salt Lake, Wasatch Community Gardens operates fourgardens in the downtown area. The gardens offer youth programs to educate kidsabout organic gardening, and they also offer rental plots for members of thecommunity to use. In conjunction with the rental plots, Wasatch CommunityGardens teaches related workshops which are usually free and open to thepublic. According to Susan Finlayson, the Community EducationCoordinator for Wasatch Community Gardens, the gardeners at the downtowngardens come from a wide range of backgrounds. "It's a really diversecommunity," she said. "There are people who have been gardening foryears who are looking for a space to garden in and who like the idea of meetingpeople, and then there are the newbies, and they all come together here." The four gardens currently have 62 rental plots, at$40-$48 each. For some gardens, there is a waiting list that may mean waiting afull year before a plot opens up. For information about workshops and rentalapplications, visit www.wasatchgardens.org Think before you eat Like vegetarians, every locavore has to live and eataccording to his or her own values. Being a locavore sometimes means simplymaking better choices, even if you aren't buying local. If you can't findproducts that are locally produced, Christi Paulson suggests comparing foodlabels. Choosing the product that traveled the lesser distance brings you onestep closer to eating locally. And as Paulson said, you have to be realistic. "I'mnot a purist," she said. "I can't ever grow a banana here, so am Inever going to eat a banana again? No. Am I never going to have anything withvanilla in it, or chocolate, or coffee, or olive oil? No. But I try to get asmany local products as I can." Like Paulson, I can't say I am or will everbe a purist. I do plan, however, to be more conscious about where my food iscoming from. Considering where I started, I would say that's a pretty bigrevolution. u Emily Aplin is a recent graduate of the University ofUtah . She is a regular at thedowntown farmers' market and plans to attempt her own "eat localchallenge" this summer. ...Read More >> |
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 | Don't Get Me StartedDissing the dead:Reflections on the bombers of Guernica We slipped back over the fence just as the security patrol pulled up inside the cemetery. I pulled my camera through the bars and walked down the street, iPod playing Andres Segovia's performance of Francisco Tarrega's "Recuerdo de la Alhambra." Our European adventure was off to an excellent start. Our early morning adventure to the cemetery in the heart of Madrid had a photographic expedition as its original purpose. For an hour and a half, we walked through the crypts and walls of niches. The endless cemetery spilled off a hill into arroyos on two sides. The crypts were crowded with enough roses to choke Portland; and everywhere, crucifixes. Then, behind a tall hedge, we discovered a memorial inscribed in German. We had stumbled on the last resting place of some of the Luftwaffe fliers who had bombed the Spanish town of Guernica. Previously, our unofficial tour guide had briefed us onPicasso's "Guernica," the subject of the next day's tour. The Spanish government of dictator Francisco Franco had commissioned Picasso to paint a mural for the 1937 World's Fair in Paris. No strings attached. Picasso responded with a giant canvas depicting the horrors of the German Luftwaffe's bombing of Guernica in the service of Franco's side in the Spanish Civil war. As we tried to decipher the words on the memorial, I told my friend that, even though these were some of the flyers who pioneered strategic bombing the intentional bombing of civilians to break the will of an adversary I had to honor these men who had stepped up when their country, led by a man not known by them to be mad, had asked them to. Friends of mine from Vietnam lie in graves mad men sent them to. The next day I entered the Picasso exhibit with a different perspective than the rest of our group. What stirred me more than the actual painting was the galleries of sketches, studies and pre-figurative works by Picasso. The music on my iPod that day was a grand, melancholy mix I call "South China Sea," reminiscent of opera music I once heard in a dream. Tears streamed down my face as I pondered madmen, patriotism and Picasso's centaurs and horses. I resolved then to go back and piss on the graves of the German aviators. Collateral damage is one thing. Bombing civilians to break the will of a nation is, or should be, beyond belief. (See Vonnegut's "Slaughter-house Five" or John McCain's solution to the Iran problem.) I had the opportunity to relieve myself two days later, when part of our group took a side trip to the cemetery during visiting hours. I couldn't. Wrong as their actions were, those men thought they were doing what was honorable and necessary. What I needed was to insult the men who lied to them -Franco's grave (I couldn't find it), Hitler's grave, Nixon's grave, George W. Bush's grave. But that wouldn't do any good. To paraphrase the last words of a local boy who met a sticky end, "Don't piss, organize." And make sure your leaders aren't mad. John deJong is associate publisher of CATALYST. john@catalystmagazine.net ...Read More >> |
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 | Why do we marry?"Gathered here together," the dearly beloveds of the bride and groom are more than just an audience. They are witnesses and can make vows of their own. by Dorothy Kocks This writing was originally presented during the wedding ceremony of our good friends Melissa Bond and Chase Fetter last fall. For this traditional month of weddings, we offer it to you-a reminder to all of us who have taken (or who contemplate taking) this step.
We all hear a lot about how we fail each other. Great literature tells us about it, and country music songs. We know heartbreak and all its good reasons. But we can also love. We can. Do it. We can love. Love, when it lasts, becomes a habit. Habit is usually a bad word. But it is also part of inhabit, and that's what lovers do, they inhabit each other, they house each other. The container of where you were before changes to a place where your beloved is also. Where does your self end and the beloved's begin? Where does your body end and the other's begin?Sometimes you don't know. (You really don't know.) I read in the paper recently that scientists have proven, using trick cameras and willing volunteers, that human consciousness is capable of out-of-body experiences. To which mystics will say "we knew that."To which the married say "we knew that. We are out of our selves in love." But consciousness melding-profound though it is-is merely the party trick of marriage. The real feat of love is the same as always: In this moment, do you act toward this person with more kindness than less, more generosity, more forgiveness, more tenderness, more ... pleasure, delight, welcome...? Do you do the bittersweet waltz of everyday life together? When small acts of love become a habit, year after year, love grows. Love expands into parts of yourself you don't know yet that you have. As my father said on the occasion of my sister's wedding, you think you love each other now? You have no idea. Today, you are going to vow to love each other forever. Vowing in public before your friends and family is a solemn and holy act. And to help you do it, we will go first. We'll make some vows to you: We promise to love, honor and protect this couple through all the days of their lives together. We promise to whisper sweet nothings into their ears, (you're a great couple... I love how you are, together... the two of you are gorgeous)... so they feel the current of love and remember it's there. We promise to make them laugh in times of trouble and help them to turn to each other in times of sorrow. We vow to support them in keeping their marriage alive and full of spirit. As they embark on this ancient tradition of mating for life, we, the community, the congregation...we hold them in our protection and that of all those who have come before us. This verse was transcribed from hieroglyphics on a 3,500-year-old Egyptian vase: This love is as good as oil and honey to the throat, as linen to the body, as fine garments to the gods, as incense to worshippers when they enter in, as the little seal-ring to my finger. It is like a ripe pear in a man's hand, it is like the date we mix with wine, it is like the seeds the baker adds to bread. We will be together even when old age comes. And the days in between will be food set before us, dates and honey, bread and wine. Amen. Dorothee Kocks is managing editor and fiction editor of the Wasatch Journal. Author of the non-fiction book "Dream a Little," she's currently writing a novel about a woman, a man, and a strange musical instrument. Called "The Glass Harmonica, or The Sensualist's Tale," it's a historical novel about how love and pleasure can change the world. ...Read More >> |
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 | The Freedom Files: Season TwoThe ACLU video series, filmed with intent to inspire by Katherine Pioli A crowd of angry people stands outside of the city hall building in Hazelton, Pennsylvania. Some of them wave giant American flags. One holds a signs above his head that read "Proud Legal American."These are the self-named "small town defenders" and they are on a crusade to pass legislation in their town that would target and penalize anyone hiring or aiding an illegal immigrant. This scene opens a documentary on the rights of immigrants in the ACLU video series "The Freedom Files," which currently has nine 30-minute episodes. Each covers a different issue concerning freedom and human rights-the death penalty, the rights of gay families to parent, and other subjects. The documentary continues by following a number of respected community members, who are themselves legal immigrants or native citizens of Latino decent, as they fight unconstitutional legislation being passed in their own middle-American towns. Spyhop, a not-for-profit arts and media center for youth in Salt Lake City, together with the Utah Chapter of the ACLU, hosted a screening of the documentary last April, along with a lecture presented by Lisa Remington, a member of the production staff for "The Freedom Files." "Film is especially effective as an organizing tool because it directly impacts your audience in a short period of time," says Remington. Speaking to both filmmakers and activists, she stressed the importance of individual action. "I am going to encourage all of you to film. This is particularly important with a space like Spyhop that can help you through the process." Film, she insists, is a medium for everyone and especially useful to activists who wish to disseminate their message quickly. "We have such an interesting opportunity with technology these days. There are these little cameras that make it easy to take videos and to upload them onto the web and it can be very entertaining." Never underestimate, Remington reminded her audience, the power of humor. Of course, not everyone is likely to be inspired to pick up a camera. For those less visually and artistically inclined, Remington also had some advice. "Something that the ACLU and the Office of Grassroots Organizers uses is the motto 'Educate, Inspire, Act.' For example, I educate myself and make a video, I then inspire you by showing you the video and from there you challenge your audience to do something." Remington's story held particular interest for her Utah audience, since she was born and raised in Salt Lake City. After growing up in Sandy and Holladay and studying acting at New York University, she moved to Los Angeles with the idea of pursuing acting as a career. "It is kind of a joke I tell now that in order to pay the bills I found an office job for adocumentary filmmaker. Because everyone knows that filmmaking doesn't pay the bills," she says. More than just paying the bills, what attracted Remington to documentary work was her sense of equality. "I always had a sense of justice and of being the person to stand up for something even when there was no one else." When the Iraq War began in 2003, Remington joined a friend working on a documentary about war protesters. "I started shadowing him, shooting and going to protests. That is when I was first confronted with the question of my own beliefs. It was an interesting moment that through the process of documenting I had to ask myself, where do I stand." After working on the war project, Remington continued to find jobs in film, but not always with a political slant. She found that she naturally gravitated to films with a purpose and a message that motivated people to action. The ACLU's objective with the video series is to help initiate the process of education, inspiration and action. Individuals can purchase an episode to use as an inspirational and educational tool among friends. An activist information packet included with the video outlines how to organize a home screening and gives some ideas on how to effectively lead a post-screening conversation. Plus, the packet gives ideas on how to take that collective energy and turn it into action. In closing, Remington reminded her audience of the importance of taking action, and the power of film. Her words of inspiration remained short and to the point, just like the films she advocated. "Just do it," she said, reading directly from the words on her PowerPoint presentation and chuckling a bit. "Just do it." About Spyhop Spyhop is located in downtown Salt Lake City. Since they began in 1999, the have provided hands-on mentoring and experience-based multimedia learning for thousands of youth. Upcoming classes in June include Intro to Filmmaking, Sound Engineering, Flash Animation and others. Check out the program schedule and find out how to apply on line at www.spyhop.org. About the ACLU Freedom Files
"The Freedom Files" is now in its second season, covering new issues such as "Torture and Unlawful Imprisonment" and "School to Prison Pipeline." To purchase the films, along with an activist's toolkit, a teacher's guide and other useful information, go to www.aclu.tv. To contact the Utah chapter (355 North 300 West), go to www.acluutah.org or call 521-9862. ...Read More >> |
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 | Throwing DadA different kind of father-daughter dance. by Sophia Nicholas I do not remember the first time I actually threw my dad over my back. Or the first time he came at me with a wooden knife poised behind his leg. I do know that the ability to restrain his arm created a very different sort of relationship between us than most girls had with their dads. While my friends went to daddy-daughter dances, I was doing a different kind of two-step with my father. Sometimes he came at me with a loud "hi-ya!"; other times I pinned his hands behind his waist, my blond ponytail cutting through the air as he struggled in vain to break free. But always we took turns launching or rolling with the attacks coming at us, using bare hands, long leather-bound swords, and lots of flying, feet first, across the room. "You haven't got me there," my dad says ,stepping away from the throw I am just about to perform. I get up from my squat and let go of his arm. He's not a small guy. Muscular and just over six feet, he moves quickly and lightly, but could still squash a 13-year-old girl if she weren't careful. But I know that's not the case with me and I'm eager to prove it. The sleeves on his cream-colored gi are damp, and his face is red from practicing in the heat of the coming summer. He reaches out to grab me again, strongly, powerfully: "Extend through your center, stabilize your feet. You need to do that before you can hold me up." I exhale in frustration. Sometimes I think he gives me a harder time just because he's my dad. But I try it again, moving into position, shooting the arm that is holding his up in the air, the other resting on my bent leg. I look up to see his face, which is focused and betrays only a bit of unease. Before I can throw him, the sensei claps his hands, indicating this technique is over. I feel disappointed that I couldn't complete the move, making one more adjustment in the quest to perform it gracefully. Nonetheless, Dad and I stand up and bow to one other. The bow opens and closes each class and each technique, whatever the frustration or accomplishment of the day. It conveys a sense of appreciation for the opportunity to learn from each other. And so my dad bows to me and I to him. On these white, worn mats, we are equals. We started practicing aikido together when I was eight. What began as a playful way to take our love of Steven Seagal action movies into the real world ultimately became a physical rendering of our father-daughter journey together. Throwing a punch, taking a pounding on the mat, coming at it again in a new way, bending the knees for greater stability-all of these dynamic lessons wriggled themselves far beyond the dojo and into our lives. Aikido itself originates from many converging disciplines-jujitsu, judo, samurai sword work, military training-all forged together in World War II era Japan by a man named Morihei Ueshiba. The militaristic culture of Japan before and during the war certainly shaped aikido's development, but so too did the postwar reverberations of how violence and egoism can unleash devastation upon individuals and the society they inhabit. Because of these influences, aikido developed as a powerful, but ultimately peace-seeking practice. The point is not to injure your opponent, even though you have the capacity to do so, but to reach a point of mutual understanding and transformation. The transformative power of aikido certainly influenced me as I thrust it, fully and from my center, into the crucible of growing up. I learned, from the power of experience on the mat, when to be assertive and make things happen, when to blend with the force of someone else, when to change places as easily as socks. These exercises kept my practice strong. They also kept me grounded throughout the tumult of junior high, when people began to explore and rebel in novel ways. I never needed to rebel against a father who understood how to take turns giving and receiving attacks from his daughter, when to "say uncle," and when to push me a little further. Even as I changed and began playing soccer and wearing mascara, the connection between my wrist and my dad's hand still existed with the same powerful authenticity and playful regularity that it always had. Each day saw the transformation of our lives bit by bit-a new job for him, a new grade in school for me-but still we came to practice together. As we got better, the techniques, grabs, and high falls got more complex and more fluid. We were equals there: taking falls, flying through the air, dancing in and around each other. The spirals of wrist movements became the spirals of a father-daughter evolution. Perhaps he could drive a car and balance a checkbook, but I could turn myself out of a hold quietly and roll like a leopard. Aikido not only provided a goal-training for my first kyu (brown belt) test-it remained a constant source of stability during the uncertainty of my adolescence. Rolling and blending with attacks, getting up again breathlessly, leaping into another series of techniques-always, always coming back to center and learning to extend through that place-such discipline helped anchor me as school became even more difficult, as friends came and went, as my teenage self-confidence waxed and waned according to the whims of fashion or the fleeting attention of a boy. My first kyu test happened after a flurry of preparation. I had practiced every day for six months to attain the technical skill of the wooden sword and the increasingly advanced arm pins and whole-body throws. Beyond demonstrating this technical expertise, I had to show that I could respond effectively in randori-the ultimate free-form practice of countering any attack with any response-sometimes from only one person, sometimes from multiple. The minutes go by, person after person comes up to attack me, and the sensei calls out different techniques for me to demonstrate. I feel strong and capable but exerted as the test goes on. Soon it is randori. My dad comes up. Breathing deeply, I soften my eyes to take in everything around me equally. My dad's gray hair and blue hakama blend into the background of the white dojo and people watching from all sides. His face is focused, his arms out of sight. The attack could spring from any angle, any direction, either hand-or a foot if he wants to throw me off guard. Finally it comes, a grab to the wrist, and the Father-Daughter Dance begins: The force of his hold, coming through his body to mine, pushes me back. I stumble and regain my balance. Grounding down, I concentrate on bringing my strength up from that point in my center-my place of power-through my hips, and extending it through my arm. Right then, with everyone watching us, it doesn't matter that I am 14 years old and he is 48 or that he has 90 pounds and 10 inches on me. Raising the arm my dad holds, I edge into position, stabilize my feet, and extend up to him. I bend at the knees. Now he simply has to trust. Trust the form. Trust me. Slowly, I lower him onto my back. He leans in, knowing I had trained and practiced all this time just to hold him up right now. His feet lift off the ground. But instead of flipping him over right away, I pause to bounce him around a few times, upside-down, his head poised toward the floor. The sound of laughter rises up from the room. I grin and hold my father on my back for a few more milliseconds. I've got him this time. Then-in a blink-I fling him over me, his turn now to streak through the air, much cooler than any action-figure movie star. We've both come this far together, holding each other up, learning to fly. Sophia Nicholas' first story for CATALYST, "Working to Return From War," appeared last month. Her "day job" is with HEAL Utah.
You can practice aikido with Rick Berardini Sensei at Utah Aikikai, 3474 South 2300 East, Suite 12. Ph (801) 272-0707.www.utahaiki.comm ...Read More >> |
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 | Give Peace a chanceKRCL's new DJs are old volunteers by Barb Guy COMMUNITY RADIO QUIZ Question: KRCL's new weekday, daytime programming, hosted for the first time by paid DJs instead of volunteers, is . . . Answer: A. . . . a sign of the apocalypse that causes us to forego civility and leaves us railing hatefully until we're purple and spitting
B. . . . a reality that should be given a chance to thrill us in a new way, and an opportunity for us to practice personal diplomacy in difficult circumstances
C. . . .other
It's not my job to share my answer, just to introduce the three people who will be hosting KRCL week days from 6 to 6, and I'm happy to doit. But I will confess to a certain nervousness due to my closeness to the subject. I've worn a few hats at KRCL including on-air host, off-air volunteer, volunteer representative on the board of directors, and trainer of new volunteers. It's been 17 years since I was on the air as a host, and KRCL has changed a lot since then. For many people, this new change brings much more drama than the others. Three KRCL volunteers have become staffers at KRCL, the first-ever paid programmers. They've navigated a traumatic transition, one that displaced at least 18 of their fellow volunteer program hosts. The change has brought these former volunteers into a world full of the angry purple people as well as people who are trying (or struggling) to keep open minds, trying to respect the reasons for the change, and trying to give peace a chance.
In that spirit, meet the "new" hosts. Ebay Jamil Hamilton: "Get up and mingle!" When Ebay talks to me about KRCL, I notice his language is steeped in reconciliation. With 17 years at KRCL, Ebay is the most aware of what the change offers, but also what it has cost. He's a little weary of everyone harping on the fact that he arrived at the station as a 13-year-old kid with a "lifetime" of KRCL listening already under his belt, but it's true, and he's been a charming presence at the station ever since. His longevity brings both unique perspective and perceived responsibility. He peppers our conversation with positive phrases: "I'm trying to find a way to make this okay for everybody . . . This is happening, so let's just make the most of it . . . I'm going to make sure KRCL succeeds . . . I believe we are going to get there . . . I believe this will work . . . I can tell you it's going to be good."
As music director, Ebay is working to ensure listeners will continue to enjoy unparalleled music and expertise, but with a more constant change-up during weekdays. He feels that moving away from"block" programming offers a practical way to increase listenership, a key reason for the change. He says, "Instead of tuning out for two or four hours, you may only have to get past one song." That ability to build on listenership throughout the day rather than having people constantly tuning in and out should improve the health of the station. And it's an opportunity for listeners to broaden their passions.
He's 30 now, but he makes an analogy based on his own experience as a Utah high school student of color. "Going into a school lunchroom where they say that it's multicultural and diverse but everyone's still sitting at their tables [by racial and ethnic divisions]. . . I want you to get up and play with each other. Just get up and mingle! As long as people are open to giving us a try, I think it'll be fine."
He continues, "If you are going to listen to the radio, and you're checking out the other stations, chances are you'll find we're doing something cooler than most, even around the country. We are all people from here at KRCL. This isn't something from outside. I think most people's concerns are being answered in the programming."
Aware of how high the stakes are to get this right, Ebay says, "I just want KRCL to be here for another shy little 13-year-old like myself." David Perschon: "I'm honored to be here." David may have the broadest musical knowledge of the three hosts. He moves happily between virtually all genres with educated ease. He says, "I grew up listening to KRCL and that's how I built my record collection back when I was 14 and starting to hear stuff on the station. So I've been listening since I was a kid." While he began as a volunteer only two years ago, his musical depth, extensive personal music library, pleasant on-air style and willingness to fill in for folks quickly made him a perennial favorite at the station, with both volunteers and listeners.
I ask how he's dealt with some of the comments generated when the changes were announced. He says, "Once people give it a chance and see what it sounds like, they can draw some conclusions. But for people to be so negative right off the bat was surprising, especially coming from such a tight-knit community of people who are open-minded. A lot of feedback before it even happened was so hateful and very negative. It was surprising to see how vicious some people were."
"It's been a really difficult transition," he admits. "It's split the KRCL family in two. It's hard to see people lose their shows, people who have been around for years and years. Change is hard, but sometimes it's necessary. We'll see down the road if it was the right thing."
David has good wishes for the displaced volunteers, many of whom have found a new home at Utah Free Media, ufm.org, where they do their shows on the Internet. "I really hope the whole UFM thing goes off and people tune into that as well. I'm hoping it succeeds and they find a niche there and they have support. There are shows I miss and I can stream those shows. It's nice to have options, definitely."
As for his new gig, he says, "It's fun to come in and provide a soundtrack to people's mornings. I'm trying to do the best job possible and provide a really diverse mix of music. We don't have playlists; we aren't being told what to play. We're trying to create a consistent sound through drawing from albums we all agree upon, but we're playing what we want to. It's a blessing to be able to do that on a daily basis. It's a dream job in a lot of ways. I'm honored to be part of the community here, doing what I do. We're off to a good start." "Bad" Brad Wheeler: "The steeper the hill, the more excited I am." Brad is the most genre-specific of the three, giving him a tough learning curve. But he's a hard worker and he's up for the challenge. Brad found the station at age 18, listening to KRCL'S Monday night blues shows. He discovered he had a gift for playing the harmonica. He says, "I would go to the Dead Goat Saloon, and I eventually got a job there. I would call [KRCL blues host] Truman every Monday night and tell him all the blues gigs that were going on in the state. Truman wanted to develop a feature called Blues News and he wanted me to be the blues newsman." He's been doing that for about 11 years, now. Eventually, KRCL called him to DJ. "I thought, well, I just call Truman on the phone! I work on 25th Street in a bar. My language might not be appropriate! But I just started doing it." He says, "The station is an incredible thing. It has helped influence me to the idea of being a part of my community. I had never experienced diversity like this until coming here." What's this new situation like for him? "It's totally being out of my comfort zone. It's a huge responsibility-it's massive. But the steeper the hill, the more excited I am." Reflecting on the change, he says, "My hope for the station is that we increase our ratings so we become compliant to maintain our Corporation for Public Broadcasting status. "The way I kinda see it is KRCL was your friend who was out on an innertube at the beach and it was getting a little far out there and you could either, like, swim out and bring your friend back or you could just do nothing and watch your friend drift away. I would rather do whatever it takes, including put myself through all this... change, to keep KRCL around instead of watching it go." Through the years Barb Guy has worn a few hats at KRCL including rabid all-genre listener, show host for 10 years, die-hard off-air volunteer, four-year volunteer representative on the board of directors, and trainer of new volunteers. She also did a gig as a DJ on commercial radio simultaneous to her time at KRCL. Resources KRCL: Tune in to 90.9 FM or visit KRCL.org for more information on the station, programming, podcasts and streaming. Utah Free Media: Visit ufm.org to hear the DJs you miss and see how you can support this fledgling "alternative to the alternative," internet radio station.. ...Read More >> |
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 | On the passing of Utah PhillipsAn old friend says goodbye to the folksinger, activist, iconoclast and all-around amazing human being who once lived in our midst and adopted our state;s name for his own. by Ken Sanders The golden voice of the great southwest, U. Utah Phillips, will sing and story tell no more. At age 73, Bruce Phillips passed away in his Nevada City, California, home May 23rd from heart failure, after a lifetime spent on the road, speaking and singing out against injustice wherever he found it. U. Utah Phillips was born in Cleveland, Ohio, May 15, 1935, during the Great Depression. His military service during the Korean War in the 1950s was instrumental in shaping his political views and anti-establishment stance. Musically influenced by Woody Guthrie and the emerging folk protest movements of the '30s and '40s, he styled his moniker, U. Utah Phillips, after his musical hero, T. Texas Tyler. Phillips grew up in Salt Lake City and spent many years of his life here; he always had a love-hate affair with his adopted state. In Salt Lake he met Ammon Hennacy, a Catholic anarchist who founded the Joe Hill House, a "house of hospitality" which Phillips and Hennacy ran from 1961-1968. A card-carrying member of the Industrial Workers of the World (known as the Wobblies) for most of his life, he defended the rights of the working man, the homeless and the indigent. Phillips also had a lifelong passion for trains and hobos. Phillips ran for the U.S. Senate from Utah in 1968 on the Peace and Freedom Ticket against long term U.S. Senator Wallace F. Bennett, father of current Republican Senator Robert F. Bennett. Phillips garnered over 2,000 votes, but was defeated in the race. Fellow singer-songwriter Rosalie Sorrels was the first to popularize and record songs by Phillips. They became lifelong friends and performed dozens of concerts together. His first recorded album was "Good Though" (1973) followed by "We Have Fed You For a Thousand Years." More recently, he gained a new audience through his joint album with Ani DiFranco, "Fellow Workers." Other musicians, among them Tom Waits, Emmylou Harris, Ian Tyson and many more, have recorded Utah Phillips songs, including such classics as "Moose Turd Pie," "Rock Salt and Nails," "Green Rolling Hills," "Daddy, What's A Train" and "Goodnight-Loving Train." For many years, Phillips hosted his own radio show in Nevada City called "Loafer's Glory: The Hobo Jungle of the Mind" and was a well known community activist there. His story-telling abilities were legendary, and any Utah Phillips performance was likely at least three-quarters stories with a few tunes thrown in. He was an ardent student of history and had a lifelong passion for trains and hoboes. Rave On, Utah Phillips! RAVE ON! ...Read More >> |
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 | Utah Arts FestivalGo to your calendar tight now. Clear the decks for June 26-29. write in "UAF." You will be spending at least part of your days and all of your evenings at what looks like one of he most interesting arts festivals Salt Lake has ever conjured up. Save gas. Be transported by music, dance and amazing visuals. You are the vehicle. By Barb Guy and Melissa Bond Earth Harps by MASS Ensemble Earth Harps are enormous musical instruments strung to buildings. Performers run their fingertips along the strings wearing rosin-covered cotton gloves to generate a vibration that literally pushes the music through the molecules of the string, creating beautiful cello-like tones. For the Arts Festival, MASS Ensemble will make the Main Library at Library Square into two giant Earth Harps. Both harps will use the library's wall as an anchor point with the largest attaching to the Amphitheater Stage using more than a half-mile of brass musical wire. This Earth Harp will serve as an installation piece throughout the Festival, and on Sunday night, the audience will sit underneath the harp as it is played from the stage and feel the movement and vibration of the instrument throughout the performance. A second harp will string west down to The Round, and will be played in daily interactive performances with the public and nightly jam sessions-bring your instruments! Earth Harps have transformed many architectural sites into musical experiences, including the Seattle Space Needle and the Kennedy Center. Don't miss this Salt Lake happening! Earth Harp Jam Sessions: Nightly 8-8:45pm at the Round with Bill Close, artistic director. Earth Harp Performance: Sunday, 9:30-11pm at the Amphitheater Stage. Yoga Workshop with Andrea Brook: Sunday, 9:30-11am,Amphitheater Stage area (advance registration required; see uaf.org).
Help to create a collage with Jann Haworth Collagist Jann Haworth's most well-known work is the album cover for the Beatles' "Sgt. Pepper's Lonely Hearts Club Band."She also created a mural on that theme in downtown Salt Lake City. Haworth's contemporary work has been exhibited around the world, in dozens of Europe's finest museums. Her exhibit "Pop Plastiques" will be shown inside the Main Library ("Nudie" appears is this month's cover art) during the festival. In a rare opportunity, Jann will conduct a collage workshop based on the conceptual aspects of the friendship quilt, working with the public and several invited artists. See Jann's work, watch her in action, and dialogue with her in the Special Collections Room, Level 4 of the Main Library. Jann Haworth in Residency Thursday through Saturday,noon-5pm and Sunday, 1-5pm. Collage Workshop: June 26-29, 1-3pm. Fare Well and Hell O! - The End of the World As We Know It or Dancing Your Way to Paradise! Fare Well is a multimedia work that brings insight and vibrant critique to the contemporary issue of end time through movement, music, text, and visual installation (images and visual poems). Fare Well is as extreme as the weather in its moods and absurdities. As fires rage, volcanoes erupt, the Arctic melts, and the seas rise ("Did we do it?") Fare Well draws the audience in through humor, irony and anti-narratives. Fare Well & Hell O! will be danced by pioneering Washington, DC, choreographer Maida Withers-known internationally for her innovative choreography, her intensity as a dancer, and her interactions with other dancers and collaborators. The work also includes art video by Ayodamola Okunseinde, poetry and sound by Alex Caldiero and original music by Steve Hilmy. Fare Well & Hell O: Main Library Auditorium, Saturday, 9:30pm and Sunday, 6:30pm.
Fear No Film WAR! What better word to rouse a crowd in a political year like this one? In 2008, we are certainly divided, undoubtedly conflicted, and desperately exhausted from our situation... And we're not even talking about Iraq or Afghanistan... We're talking about the politics we all share in identity and in being human. Throughout the festival, check out any of many short films in our juried Fear No Film festival. The films average 20 minutes apiece, so you can drop in and cool off in the library auditorium while getting captivated by these great creative works. Fear No Film festival, Nancy Tessman auditorium, inside library. The Word Ecstatic In partnership with the SLCC Community Writing Center, Salt Lake City's Youth City Program and the Salt Lake Acting Company, the Utah Arts Festival offers The Word Ecstatic, a variety of opportunities to take workshops, enter a writing competition (see this page), participate in a Poetry Slam or just enjoy readings from local authors and poets. The Big Mouth Stage on the southeast quadrant of the City & County Building grounds will host poets, readings and performances. The SLCC Community Writing Center on the Library Plaza will feature workshops and readings, as well as the starting line for the second annual Wasatch Iron Pen writing competition. For a complete Utah Arts Festival schedule including national musical headliners, music clips and more, visit uaf.org.o
Get Kamikaze with Your Writing Muse
By Melissa Bond
Interested in getting your literary groove on this summer? The Utah Arts Festival is sponsoring the second annual Wasatch Iron Pen, a 24-hour literary marathon, set to take place right in the middle of the festival. That's right, 24 hours to shake your groove thing all over the page. For those of you who need a little adrenaline to fuel your writing muse, the Iron Pen gives you from Friday, June 27 at 5 p.m. to Saturday, June 28 at 5p.m. to set fire to that pen. It's a kamikaze mission not for the faint ofheart. It will require a full sprint of creativity that could leave you drinking cup after cup of existential coffee by the early morning hours. But this kind of sweat for the muse is nothing new. A quick trip into Google's shiny realm of all things literary and inventoried turns up innumerable one- to three-day literary marathons. Writer's Weekly, an online freelance writing e-zine and Voices, a non profit organization of writers, have hosted literary marathons for years and participants sweat over everything from poetry to short stories to novels. In Utah itself, the Helper Arts Festival has, in years past, held a literary ultra marathon that encouraged writers of all genres to face off in a 24-hour battle of verbal brawn. The marathon typically starts with a visual cue of some sort. Last year, the Wasatch Iron pen hustled all the hungry writers and poets into one room and showed them a honeycomb filled with honey. The idea is to work the cue into the written work in a way that's significant-thematic, even. This prevents previously fawned-over work from making its way into the submission pile. This year, writers will receive the cue at exactly 5 p.m. on June 27. The clock starts ticking at that point. Garrett Alberico, a winner in last year's poetry category, says that the 24 hours wasn't too daunting. "It was cool to narrow the focus," he says. "And it gave me more incentive to write because of the time limit." So, if incentive is what you're looking for,or just a good jolt of muse, check out the Wasatch Iron Pen. It's just 24 hours,after all. Writers of all genres and experience levels can register for the marathon beginning June 12, in person or by phone at the SLCC Community Writing Center (located at Library Square; tel. 957-4992). Or register online at www.uaf.org.Registration fee: is $10. Six categories: Poetry, Fiction, Non-Fiction (Adult and Youth). Winners will be contacted Sunday, June 29, and are encouraged to read selections from their piece that afternoon at the Big Mouth Café tent. For more information, call 957-4992 or visit www.slcc.edu/cwc. ...Read More >> |
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 | Plein-Air PaintingBesides simply walking, humans have conjured myriad excuses to be in the great outdoors: We collectively golf, hunt, fish, birdwatch, photograph and more. some people, armed like they're going on holiday, go stand someplace and point pictures. They're called plein-air painters. by Suzette Gertsch It's cold, it's early and what am I doing out of my cozybed? OJ glass in one hand and field easel in the other, I'm loading the last ofmy painting gear in the Honda. Stop, think through the list: canvas panel,easel, paint and brush bag, turps, granola bars, plenty of water,miscellaneous, and oh yes, the umbrella. The sun will be up and over the Wasatch east hills inless than 15 minutes. Where is that sunscreen? At best I'll get a terrificlittle 9x12 hummer for the gallery. At worst (depending on the season) I'lldeal with flies, pies, wind, rain, snow, or passing cattle and cowboys, which Iexperienced last August in the North Fields. Last summer, my friend Debbie T.reported a foul and strange smell while painting in the pines above SnakeCreek, only to discover a rotting deer hide, dragged cheerfully to her side byher dog. On another occasion, while shooting photos for a potential site, Isank into a three-foot hole of oozing sand. I'm off for a precious two-hour date with nature. Paintingis my occupation, and painting en plein air is my outdoor passion. Most of us hardy plein air artists can thank (or, on cowpie days, curse) John G. Rand, who in 1841 invented the collapsible metal painttube. Before this time, artists had used pig bladders to store their oilcolors. What the Impressionists (who coined the phrase)encountered in the great outdoors challenged and fascinated them, and does thesame for the modern plein air artist. Something remarkable happens when Iabandon the studio, and stand, saturated in nature with all its variables andwonders. I become quiet, focused, intense... birds chirp from the trees, whilethe ambient light washes across the pasture or the river. Colors becomebrilliant, dazzling, as I connect with "the now of the moment" asEckart Tolle might say it. This is really living. This is really connection.This is really me! So much time has passed since those first Impressionistswent about inventing plein air with their dabs, dots, and the"painterly" quality of their impasto brushwork. The snarling insultsof the early critics changed to envy and admiration, as the new unconventionalpaintings captured the public's interest. Plein air painting has become a mainstream activityacross the country and the world, complete with associations and competitions.Heber Valley has become one of the most popular rendezvous points for plein airpainters in Utah. "Wasatch Plein Air Paradise 2008," sponsored by theMidway Art Association, is the largest of Utah's plein air competitions. Consequently I'm doing my "painting push-ups"for the next big competition in June. Competitive painting? Here's how itworks: Artists from all over Utah arrive at the Midway Town Hall on Thursday,June 26 to have painting surfaces "stamped." That initiates the raceagainst time to find the perfect plein air setting in Wasatch County, withframed entries due back at 5 p.m. on Saturday the 28th. When it's all done,they and the public can enjoy the actual art exhibition and sale on July 3-4amid traditional Fourth of July events. Two short "paint-out"competitions will also take place July 3 and 4. John Hughes, Steve McGinty, Bonnie Poselli, KateStarling, George Handrahan and Ken Baxter are among the well-known plein airprofessionals who have participated in the competition either as jurors,painters or both. In 2007, over $10,000 in purchase awards and prizes went towinning entries and artists of all levels. I'll probably be out in the northfields having the time of my life....in plein air paradise! u Sue Gertsch is president of the Midway Art Association.
Contact: www.midwayartassociation.org; tel. 801-755-6730 Main Competition: June 26-28 July 3-4 : 5-hour Paint-out Competitions July 3-4: Art Exhibition and Sale, Midway Town Hall,10a-7p on the 3rd, 8a-2 p on the 4th July 4 Artists Award Reception, 1 pm. ...Read More >> |
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 | Catalyst Cafe: The Return of the DodoThat bird cafe returns to SLC's east side. Not at all extinct, the Dodo is lookin' good.
by Ed Huntsman
Once a local favorite on 9th East, the Dodo now occupies a prime location on 21st South and 14th East overlooking the tall pines and cottonwood trees, flower gardens and wide green lawns of Sugar House Park plus a stunning sunset view of Mount Olympus.
When the Dodo Bird in Lewis Carol's novel told everyone wet and dripping to race around the lake until dry, the Dodo Bird was asked, "Who won?" The bird responded, "Everybody has won and all must have a prize!" At the new Dodo Restaurant everybody wins, and the prize is an extraordinary restaurant managed by new owners who have brought it back to life with new landscaping, an enlarged outdoor patio, and lots of onsite parking. The dining room features two large murals of dodo birds sipping pink champagne and celebrating life by local artist Darrel Barton.
The new Dodo offers an extensive menu with an impressive variety of food items and affordable prices that can accommodate any dining budget. Many favorite items from the first Dodo, which opened in 1981, remain on the menu.
The artichoke pie served with tangy lemon mayonnaise and the toasted sesame seed baked cream cheese served with slices of apple and Asian pear can be ordered for $7. Lunch sandwiches and entrées vary from $8 to $11. Dinner salads such as spinach with cranberries, candied walnuts and gorgonzola cheese start at $9. The honey-baked salmon entree with grain mustard and herb glaze is just $17. And the popular smoked turkey sandwich with Dodo sauce is $9 at both lunch and dinner.
Don't forget to save room for the Dodo's well-loved desserts: Tollhouse Cake, homemade apple pie, dark and white chocolate mousse pie, and my favorite, the coconut caramel coffee cake served warm with fresh whipped cream. The desserts are made fresh daily by in-house pastry chef Ramone, who has remained with the Dodo for the past 20 years.
The restaurant's owners are Byron Loveall and Brian Omera, who have been partners since they opened the Porcupine Grill at the mouth of Big Cottonwood Canyon 10 years ago. Executive chef Mike Corbett and restaurant chef Jim Colloch have both been with the Porcupine group since itsearly days. I asked what has kept them loyal employees for such an impressive duration. They both responded, in essence: "The owners are actually here, caring and supporting their large team of employees. They don't just show up to critique the profit and loss statements. They are an integral part of the Dodo family." They also mentioned taking pride in making everything on the menu from scratch: soups, sauces, dressings, smoked meats and desserts.
I tried the seafood soup du jour and noticed right away that the vegetables were cut by hand and the soup had an obvious homemade flavor. Their sauces, dressings, soups, and baked meats are all made "a la maison." Their turkey and ham are smoked and sliced fresh from their own kitchen. This is rare in popular local restaurants. Why the extra expense and effort? Well, let's say you can see and taste the difference.
This location has been the home to numerous restaurants from the early days of Brattens, to the well-loved Bird's Cafe, the not quite authentic French restaurant L'Avenue, and the soon forgotten Harry's. Not to worry! The Dodo is not an extinct bird. It is very much alive. And it's my bet that this Dodo is here to stay.
Ed Huntsman is a professional photographer and former restaurateur living in Salt Lake City.
The Dodo in Sugar House. 21st South at 14th East.Saturday and Sunday brunch: 9 am to 3 pm. During the week, the dining room isopen from 11 am to 11 pm..
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